This volume explores the originating encounter in field work of ethnomusicologists with the musicians and musical traditions they study. The contributors provide case studies from nearly every corner of the world, including biographies of important musicians from the Philippines, Turkey, Lapland, and Korea; interviews with, and reports of learning from, musicians from Ireland, Bulgaria, Burma, and India; and analyses of how traditional musicians adapt to the encounter with modernity in Japan, India, China, Turkey, Afghanistan, Morocco, and the United States.
This volume explores the originating encounter in field work of ethnomusicologists with the musicians and musical traditions they study. The contributors provide case studies from nearly every corner of the world, including biographies of important musicians from the Philippines, Turkey, Lapland, and Korea; interviews with, and reports of learning from, musicians from Ireland, Bulgaria, Burma, and India; and analyses of how traditional musicians adapt to the encounter with modernity in Japan, India, China, Turkey, Afghanistan, Morocco, and the United States.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Timothy Rice is Professor in the UCLA Department of Ethnomusicology and holds a Ph.D. from the University of Washington. He specializes in the traditional music of Bulgaria and Macedonia. His books include Cross-cultural Perspectives on Music (1982), May It Fill Your Soul: Experiencing Bulgarian Music (1994), The Garland Encyclopedia of World Music, Vol. 8: Europe (2000), and Music in Bulgaria (2004). He edited the journal Ethnomusicology from 1981 to 1984 and served as president of the Society for Ethnomusicology from 2003 to 2005.
Inhaltsangabe
1: Introduction: Reflections on the Formation of an Ethnomusicologist I: Encountering Musicians 2: The Art of Master Musician Necdet Ya?ar as a Key to the Subtleties of Classical Turkish Music 3: An Ethnomusicology of Musical Art and Individual Success: Hwang Byungki and National Music in the Republic of Korea 4: The Visiting Artist as Culture Broker: Joe Heaney and the Negotiation of Identity 5: High Queen Damoao and the Teaching of Maranao Kolintang Music 6: Teachers Studying Teachers: Pedagogical Practices of Artist Musicians 7: Greetings from Lapland: The Legacy of Nils-Aslak Valkeapää (1943-2001) 8: Evaluating Artistry on the Bulgarian Bagpipe 9: String Theory: A Meditation on Lives in Ethnomusicology II: Encountering Music 10: Making the Music of Indonesia Series: A Memoir 11: Mediated Tradition: The Globalization of Burmese Music 12: Deconstructing Haydar: Lineage, Ownership, and Innovation in the Creation of an Alevi Classic 13: Hymns to the Sun Goddess: New Music for a Shinto Worship Service 14: Rooted as Banyan Trees: Eis? and the Okinawan Diaspora in Japan 15: Saints, Prostitutes, and Rotten Sardines: The Musical Construction of Place and Ethnicity in a Moroccan Insult Contest 16: The Politics of Music in Afghanistan 17: Music Ownership and Control in Blackfoot Culture: Remarks on Identity, Knowledge, Performance 18: Some Aspects of Qin Construction and Acoustics 19: Thoughts on the Relationships among Anthropology, Ethnomusicology, and Musicology by an Anthropologist
1: Introduction: Reflections on the Formation of an Ethnomusicologist I: Encountering Musicians 2: The Art of Master Musician Necdet Ya?ar as a Key to the Subtleties of Classical Turkish Music 3: An Ethnomusicology of Musical Art and Individual Success: Hwang Byungki and National Music in the Republic of Korea 4: The Visiting Artist as Culture Broker: Joe Heaney and the Negotiation of Identity 5: High Queen Damoao and the Teaching of Maranao Kolintang Music 6: Teachers Studying Teachers: Pedagogical Practices of Artist Musicians 7: Greetings from Lapland: The Legacy of Nils-Aslak Valkeapää (1943-2001) 8: Evaluating Artistry on the Bulgarian Bagpipe 9: String Theory: A Meditation on Lives in Ethnomusicology II: Encountering Music 10: Making the Music of Indonesia Series: A Memoir 11: Mediated Tradition: The Globalization of Burmese Music 12: Deconstructing Haydar: Lineage, Ownership, and Innovation in the Creation of an Alevi Classic 13: Hymns to the Sun Goddess: New Music for a Shinto Worship Service 14: Rooted as Banyan Trees: Eis? and the Okinawan Diaspora in Japan 15: Saints, Prostitutes, and Rotten Sardines: The Musical Construction of Place and Ethnicity in a Moroccan Insult Contest 16: The Politics of Music in Afghanistan 17: Music Ownership and Control in Blackfoot Culture: Remarks on Identity, Knowledge, Performance 18: Some Aspects of Qin Construction and Acoustics 19: Thoughts on the Relationships among Anthropology, Ethnomusicology, and Musicology by an Anthropologist
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