This book examines the relationship between cinema and ethics from a philosophical perspective. It argues that theoretical discussion of the cinematic experience and more specifically of the cinematic close-up, can lead to ethical insights into the status of both the human and the non-human in film.
This book examines the relationship between cinema and ethics from a philosophical perspective. It argues that theoretical discussion of the cinematic experience and more specifically of the cinematic close-up, can lead to ethical insights into the status of both the human and the non-human in film.
Orna Raviv is a filmmaker and a film theorist. She is an assistant teaching professor at the Unit for History and Philosophy of Art, Design and Technology, Shenkar College, and a teaching fellow at the Philosophy Department of Haifa University.
Inhaltsangabe
Introduction Chapter One: Perspectivalism and Beyond Chapter Two: Point of View Chapter Three: The Cinematic Type Chapter Four: The Face and the Close-Up Chapter Five: The Face and the Close-Up-Take 2 Chapter Six: Becoming Machine Chapter Seven: Cinema's Responsibilities
Introduction Chapter One: Perspectivalism and Beyond Chapter Two: Point of View Chapter Three: The Cinematic Type Chapter Four: The Face and the Close-Up Chapter Five: The Face and the Close-Up-Take 2 Chapter Six: Becoming Machine Chapter Seven: Cinema's Responsibilities
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