This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction.
This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction.
Valeria Taddei is an Irish Research Council Postdoctoral Fellow at UCD Dublin.
Inhaltsangabe
Introduction: Understanding the Modernist Epiphany I. Theories of the Modernist Epiphany II. Literary Rendering III. The Modernist Short Story IV. Four Modernist Authors References 1. 'A hole in the paper sky': Luigi Pirandello 1.1 Demystification 1.2 Metaphysical Intuition 1.3 Cosmic Consciousness 1.4 Blending the Opposites 1.5 Bifocal moments References 2. 'The significance of trivial things': James Joyce 2.1 Aesthetic Theory 2.1.1 Whatness: quidditas as transcendence 2.1.2 Thisness: quidditas as immanence 2.2 Dubliners 2.3 Horizontal Depths References 3. 'Behind a thick veil': Federigo Tozzi 3.1 Understated insights 3.2 Psyche as Mind 3.3 Psyche as Soul 3.4 Ambiguous Potential References 4. 'The possibility of something quite other': Katherine Mansfield 4.1 Central Points of Significance 4.2 Moments of Direct Feeling 4.3 Moments of Suspension 4.4 Aesthetic Truth References Conclusions
Introduction: Understanding the Modernist Epiphany I. Theories of the Modernist Epiphany II. Literary Rendering III. The Modernist Short Story IV. Four Modernist Authors References 1. 'A hole in the paper sky': Luigi Pirandello 1.1 Demystification 1.2 Metaphysical Intuition 1.3 Cosmic Consciousness 1.4 Blending the Opposites 1.5 Bifocal moments References 2. 'The significance of trivial things': James Joyce 2.1 Aesthetic Theory 2.1.1 Whatness: quidditas as transcendence 2.1.2 Thisness: quidditas as immanence 2.2 Dubliners 2.3 Horizontal Depths References 3. 'Behind a thick veil': Federigo Tozzi 3.1 Understated insights 3.2 Psyche as Mind 3.3 Psyche as Soul 3.4 Ambiguous Potential References 4. 'The possibility of something quite other': Katherine Mansfield 4.1 Central Points of Significance 4.2 Moments of Direct Feeling 4.3 Moments of Suspension 4.4 Aesthetic Truth References Conclusions
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