Susan Merrill Squier follows the cultural trail of C. H. Waddington's "epigenetic landscape" metaphor from its first visualization by the artist John Piper to its use beyond science, examining how it has been used to illustrate complex systems that link scientific and cultural practices: graphic medicine, landscape architecture, and bioArt.
Susan Merrill Squier follows the cultural trail of C. H. Waddington's "epigenetic landscape" metaphor from its first visualization by the artist John Piper to its use beyond science, examining how it has been used to illustrate complex systems that link scientific and cultural practices: graphic medicine, landscape architecture, and bioArt.
Acknowledgments ix Introduction. Figuring Development beyond the Gene 1 1. The Epigenetic Landscape 21 2. A New Landscape of Thought: Behind Appearance 51 3. Embryo 69 4. The Graphic Embryo 87 5. The River in the Landscape 129 6. Designing Rivers 161 7. "A Complex System of Interactions": Art Laboratory Berlin as an Epigenetic Landscape 183 Conclusion. Anastomosis 205 Notes 215 References 241 Index 259
Acknowledgments ix Introduction. Figuring Development beyond the Gene 1 1. The Epigenetic Landscape 21 2. A New Landscape of Thought: Behind Appearance 51 3. Embryo 69 4. The Graphic Embryo 87 5. The River in the Landscape 129 6. Designing Rivers 161 7. "A Complex System of Interactions": Art Laboratory Berlin as an Epigenetic Landscape 183 Conclusion. Anastomosis 205 Notes 215 References 241 Index 259
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