Epic Arts in Renaissance France examines the relationship between art and literature in sixteenth-century France, and considers how the epic genre became 'public' via realisations in various other art forms.
Epic Arts in Renaissance France examines the relationship between art and literature in sixteenth-century France, and considers how the epic genre became 'public' via realisations in various other art forms.
Phillip John Usher was born in England. He studied French literature at Royal Holloway College, University of London, before pursuing graduate work in Romance Languages at Harvard University. He is currently Assistant Professor at Barnard College, Columbia University, where he is also Chair of Medieval and Renaissance Studies.
Inhaltsangabe
Introduction 1: Homer, Virgil, and Lucan: Classical Epic and Renaissance Art 2: Dolet's Fata: Celebrating François Ier in the Wake of the Battle of Pavia 3: Ronsard's Franciade: From National Genealogy to Tragic Love Story 4: D'Aubigné's Tragiques: A Wasteland of Graffiti Closing Remarks: From Epic Cassoni to Epic Coffrets
Introduction 1: Homer, Virgil, and Lucan: Classical Epic and Renaissance Art 2: Dolet's Fata: Celebrating François Ier in the Wake of the Battle of Pavia 3: Ronsard's Franciade: From National Genealogy to Tragic Love Story 4: D'Aubigné's Tragiques: A Wasteland of Graffiti Closing Remarks: From Epic Cassoni to Epic Coffrets
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