Enter the Undead Author explores the points of tension between the idea of authorship and the realities of theatrical production and other performance practices from the 1960s to the present with special focus on those moments when authorship helps to reappropriate revolutionary practices into traditional modes of production.
Enter the Undead Author explores the points of tension between the idea of authorship and the realities of theatrical production and other performance practices from the 1960s to the present with special focus on those moments when authorship helps to reappropriate revolutionary practices into traditional modes of production.
Produktdetails
Produktdetails
The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
Preface Introduction Chapter 1. 1984: The Author as Owner Chapter 2. "A Necessary Myth": The Author as Individual Chapter 3. Whose Joke Is It Anyway? The Author as Originator Conclusion Bibliography Index About the Author
Preface Introduction Chapter 1. 1984: The Author as Owner Chapter 2. "A Necessary Myth": The Author as Individual Chapter 3. Whose Joke Is It Anyway? The Author as Originator Conclusion Bibliography Index About the Author
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