Encounters in the Virtual Feminist Museum - Pollock, Griselda
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Featuring studies of Canova's "Three Graces" and women artist's modernist reclamations of the female body, this book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath.
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth-century. Challenging the dominant museum models of art and history that have been…mehr

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Produktbeschreibung
Featuring studies of Canova's "Three Graces" and women artist's modernist reclamations of the female body, this book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath.
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth-century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth-century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Autorenporträt
Griselda Pollock is Professor of Social and Critical Histories of Art and Director for Cultural Analysis, Theory and History at University of Leeds. A world-renowned scholar of international, post-colonial feminist studies in the visual arts, she is best known for her theoretical and methodological innovation, combined with deeply engaged readings of historical and contemporary art, film and cultural theory.