Helen Huang (Professor of the MFA Costume Design Program of Univers, Emily Hoem (University of Maryland Adjunct Faculty, Tailor / Draper, Kelsey Hunt
Elizabethan Costume Design and Construction
Schade – dieser Artikel ist leider ausverkauft. Sobald wir wissen, ob und wann der Artikel wieder verfügbar ist, informieren wir Sie an dieser Stelle.
Helen Huang (Professor of the MFA Costume Design Program of Univers, Emily Hoem (University of Maryland Adjunct Faculty, Tailor / Draper, Kelsey Hunt
Elizabethan Costume Design and Construction
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Historically accurate Elizabethan costume designs from an award winning costume designer!
Andere Kunden interessierten sich auch für
- T.M. DelligattiCostume Design: The Basics24,99 €
- Allison Lowery (Wig and Austin Performing Arts C Makeup SpecialistHistorical Wig Styling: Victorian to the Present44,99 €
- Bettina JohnCostume Design for Performance22,99 €
- Crystal G. HermanPeriod Reproduction Buckram Hats49,99 €
- Graham Cottenden18th Century Male Tailoring65,99 €
- Kaoime E. Malloy (University of Wisconsin, Green Bay, Department ofThe Art of Theatrical Design54,99 €
- Alys Holden (Walt Disney Imagineering Theatrical Systems DesignerStructural Design for the Stage158,99 €
-
-
Historically accurate Elizabethan costume designs from an award winning costume designer!
Produktdetails
- Produktdetails
- The Focal Press Costume Topics Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 240
- Erscheinungstermin: 30. September 2021
- Englisch
- Abmessung: 227mm x 228mm x 24mm
- Gewicht: 656g
- ISBN-13: 9781032179711
- ISBN-10: 1032179716
- Artikelnr.: 62571593
- The Focal Press Costume Topics Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 240
- Erscheinungstermin: 30. September 2021
- Englisch
- Abmessung: 227mm x 228mm x 24mm
- Gewicht: 656g
- ISBN-13: 9781032179711
- ISBN-10: 1032179716
- Artikelnr.: 62571593
Helen Q. Huang is an award-winning costume designer who has worked in theatres throughout the United States. The recipient of both the Helen Hayes Award for Outstanding Costume Design and the Ivey Awards, she is also a professor of the MFA Costume Design Program in the School of Theatre, Dance, and Performance Study at the University of Maryland, College Park. Emily Hoem is an Instructor of advanced sewing, tailoring, and patternmaking at the University of Maryland and the Tailor/Draper for the Clarice Smith Performing Arts Center. She also does freelance tailoring and draping for many theatres in the DC Metro area, including Wolf Trap Opera Company, Washington Ballet, Signature Theatre, Folger Theatre, and Woolly Mammoth Theatre Company. Kelsey Hunt is a freelance costume designer based in the DC Metro area. Her work may be seen at Studio Theatre, Woolly Mammoth Theatre, Theatre J, The Maryland Opera Studio, Chesapeake Shakespeare Company, and Triad Stage. Kelsey served for six seasons as Resident Costume Designer at Triad Stage and is a two-time recipient of the Marian A. Smith Award.
Table of Contents
Part I: The Design Process
Introduction
Chapter 1: Collaboration and Initial Conversations
Chapter 2: Collecting & Working with Research
Chapter 3: The Costume Sketch
Chapter 4: Fabric Selection
Chapter 5: Developing the Design Through Fittings
Part II: Construction
Introduction
Chapter 6: Construction Basics
Chapter 7: The Female Bodice
Chapter 8: The Female Sleeve
Chapter 9: The Skirt Basque & Skirt
Chapter 10: Female Undergarments & Accessories
Chapter 11: The Male Doublet
Chapter 12: The Male Sleeves
Chapter 13: The Male Breeches
Part I: The Design Process
Introduction
Chapter 1: Collaboration and Initial Conversations
Chapter 2: Collecting & Working with Research
Chapter 3: The Costume Sketch
Chapter 4: Fabric Selection
Chapter 5: Developing the Design Through Fittings
Part II: Construction
Introduction
Chapter 6: Construction Basics
Chapter 7: The Female Bodice
Chapter 8: The Female Sleeve
Chapter 9: The Skirt Basque & Skirt
Chapter 10: Female Undergarments & Accessories
Chapter 11: The Male Doublet
Chapter 12: The Male Sleeves
Chapter 13: The Male Breeches
Table of Contents
Part I: The Design Process
Introduction
Chapter 1: Collaboration and Initial Conversations
Chapter 2: Collecting & Working with Research
Chapter 3: The Costume Sketch
Chapter 4: Fabric Selection
Chapter 5: Developing the Design Through Fittings
Part II: Construction
Introduction
Chapter 6: Construction Basics
Chapter 7: The Female Bodice
Chapter 8: The Female Sleeve
Chapter 9: The Skirt Basque & Skirt
Chapter 10: Female Undergarments & Accessories
Chapter 11: The Male Doublet
Chapter 12: The Male Sleeves
Chapter 13: The Male Breeches
Part I: The Design Process
Introduction
Chapter 1: Collaboration and Initial Conversations
Chapter 2: Collecting & Working with Research
Chapter 3: The Costume Sketch
Chapter 4: Fabric Selection
Chapter 5: Developing the Design Through Fittings
Part II: Construction
Introduction
Chapter 6: Construction Basics
Chapter 7: The Female Bodice
Chapter 8: The Female Sleeve
Chapter 9: The Skirt Basque & Skirt
Chapter 10: Female Undergarments & Accessories
Chapter 11: The Male Doublet
Chapter 12: The Male Sleeves
Chapter 13: The Male Breeches