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Dispels the idea that postwar British comedies were apolitical, arguing instead that they presented subversive, iconoclastic, queer experiments in living for a country that was rebuilding and reimagining itself after years of conflict.

Produktbeschreibung
Dispels the idea that postwar British comedies were apolitical, arguing instead that they presented subversive, iconoclastic, queer experiments in living for a country that was rebuilding and reimagining itself after years of conflict.
Autorenporträt
Benedict Morrison is Senior Lecturer in Literature and Film at the University of Exeter. He is the author of Complicating Articulation in Art Cinema.