Eastern European Music Industries and Policies after the Fall of Communism examines how the processes of economic and social transformation of the last thirty years have affected the music industries, scenes, and markets in various Eastern European countries.
Eastern European Music Industries and Policies after the Fall of Communism examines how the processes of economic and social transformation of the last thirty years have affected the music industries, scenes, and markets in various Eastern European countries.
Patryk Galuszka is an associate professor in the Faculty of Economics and Sociology at the University of Lodz, Poland.
Inhaltsangabe
Part I: Introduction 1. Contextualising research on the Eastern European music industries Patryk Galuszka 2. Creating a market economy in Eastern Europe: Economic reform as the central theme of the transition Tomasz Legiedz Part II: Russia 3. Piracy as an institutionalised social practice in Soviet and post-Soviet Russia Marco Biasioli 4. 'We have no music industry!' Exploring the context of post-Soviet music making through the lens of contemporary Swedo-Russian collaborations Ingrid M Tolstad Part III: Central Europe 5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunification Sven Kube 6. Collective management of copyright during communism and transition - A case study of the Society of Authors ZAiKS Anna Pluszy¿ska 7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political circumstances over fifty years of the Polish music industry Katarzyna Korzeniewska 8. Pohoda: the importance of Slovakia's greatest festival Peter Barrer 9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in Hungary Emília Barna Part IV: Southeast Europe 10. The Romanian music scene: The social economy of pop music in the post-socialist period Elena Trifan 11. Come visit (our past) again: How municipalities encourage retro rock culture on the Bulgarian music scene Gergana Rayzhekova 12. The Yugoslav and post Yugoslav alternative rock canon presented in the music press Julijana Papazova
Part I: Introduction 1. Contextualising research on the Eastern European music industries Patryk Galuszka 2. Creating a market economy in Eastern Europe: Economic reform as the central theme of the transition Tomasz Legiedz Part II: Russia 3. Piracy as an institutionalised social practice in Soviet and post-Soviet Russia Marco Biasioli 4. 'We have no music industry!' Exploring the context of post-Soviet music making through the lens of contemporary Swedo-Russian collaborations Ingrid M Tolstad Part III: Central Europe 5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunification Sven Kube 6. Collective management of copyright during communism and transition - A case study of the Society of Authors ZAiKS Anna Pluszy¿ska 7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political circumstances over fifty years of the Polish music industry Katarzyna Korzeniewska 8. Pohoda: the importance of Slovakia's greatest festival Peter Barrer 9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in Hungary Emília Barna Part IV: Southeast Europe 10. The Romanian music scene: The social economy of pop music in the post-socialist period Elena Trifan 11. Come visit (our past) again: How municipalities encourage retro rock culture on the Bulgarian music scene Gergana Rayzhekova 12. The Yugoslav and post Yugoslav alternative rock canon presented in the music press Julijana Papazova
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