1. Tropis semper variantibus: compositional strategies in the offertories of Old Roman chant Joseph Dyer; 2. Modal discourse and fourteenth-century French song: a 'medieval' perspective recovered? Sarah Fuller; 3. The Sforza restoration and the founding of the ducal chapels at Santa Maria della Scalla in Milan and Sant'Ambrogio in Vigevano Christine Getz; 4. Music, identity and the Inquisition in fifteenth-century Spain Eleazer Gutwirth; 5. O rex mundi triumphator: Hohenstaufen politics in a sequence for Saint Charlemagne Michael McGrade; 6. Musical aspects of Old Testament canticles in their biblical setting John Arthur Smith.
1. Tropis semper variantibus: compositional strategies in the offertories of Old Roman chant Joseph Dyer; 2. Modal discourse and fourteenth-century French song: a 'medieval' perspective recovered? Sarah Fuller; 3. The Sforza restoration and the founding of the ducal chapels at Santa Maria della Scalla in Milan and Sant'Ambrogio in Vigevano Christine Getz; 4. Music, identity and the Inquisition in fifteenth-century Spain Eleazer Gutwirth; 5. O rex mundi triumphator: Hohenstaufen politics in a sequence for Saint Charlemagne Michael McGrade; 6. Musical aspects of Old Testament canticles in their biblical setting John Arthur Smith.
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