Early African American Print Culture
Herausgeber: Cohen, Lara Langer; Stein, Jordan Alexander
Early African American Print Culture
Herausgeber: Cohen, Lara Langer; Stein, Jordan Alexander
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Lara Langer Cohen teaches English at Swarthmore College and is author of The Fabrication of American Literature: Fraudulence and Antebellum Print Culture, also available from the University of Pennsylvania Press. Jordan Alexander Stein teaches English at Fordham University.
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Lara Langer Cohen teaches English at Swarthmore College and is author of The Fabrication of American Literature: Fraudulence and Antebellum Print Culture, also available from the University of Pennsylvania Press. Jordan Alexander Stein teaches English at Fordham University.
Produktdetails
- Produktdetails
- Verlag: University of Pennsylvania Press
- Seitenzahl: 432
- Erscheinungstermin: 2. Dezember 2014
- Englisch
- Abmessung: 226mm x 152mm x 28mm
- Gewicht: 680g
- ISBN-13: 9780812223347
- ISBN-10: 0812223349
- Artikelnr.: 42200185
- Verlag: University of Pennsylvania Press
- Seitenzahl: 432
- Erscheinungstermin: 2. Dezember 2014
- Englisch
- Abmessung: 226mm x 152mm x 28mm
- Gewicht: 680g
- ISBN-13: 9780812223347
- ISBN-10: 0812223349
- Artikelnr.: 42200185
Lara Langer Cohen teaches English at Swarthmore College and is author of The Fabrication of American Literature: Fraudulence and Antebellum Print Culture, also available from the University of Pennsylvania Press. Jordan Alexander Stein teaches English at Fordham University.
Introduction: Early African American Print Culture
—Lara Langer Cohen and Jordan Alexander Stein
PART I. VECTORS OF MOVEMENT
Chapter 1. The Print Atlantic: Phillis Wheatley, Ignatius Sancho, and the
Cultural Significance of the Book
—Joseph Rezek
Chapter 2. The Unfortunates: What the Life Spans of Early Black Books Tell
Us About Book History
—Joanna Brooks
Chapter 3. Frances Ellen Watkins Harper and the Circuits of Abolitionist
Poetry
—Meredith L. McGill
Chapter 4. Early African American Print Culture and the American West
—Eric Gardner
PART II. RACIALIZATION AND IDENTITY PRODUCTION
Chapter 5. Apprehending Early African American Literary History
—Jeannine Marie DeLombard
Chapter 6. Black Voices, White Print: Racial Practice, Print Publicity, and
Order in the Early American Republic
—Corey Capers
Chapter 7. Slavery, Imprinted: The Life and Narrative of William Grimes
—Susanna Ashton
Chapter 8. Bottles of Ink and Reams of Paper: Clotel, Racialization, and
the Material Culture of Print
—Jonathan Senchyne
PART III. ADAPTATION, CITATION, DEPLOYMENT
Chapter 9. Notes from the State of Saint Domingue: The Practice of Citation
in Clotel
—Lara Langer Cohen
Chapter 10. The Canon in Front of Them: African American Deployments of
"The Charge of the Light Brigade"
—Daniel Hack
Chapter 11. Another Long Bridge: Reproduction and Reversion in Hagar's
Daughter
—Holly Jackson
Chapter 12. "Photographs to Answer Our Purposes": Representations of the
Liberian Landscape in Colonization Print Culture
—Dalila Scruggs
Chapter 13. Networking Uncle Tom's Cabin; or, Hyper Stowe in Early African
American Print Culture
—Susan Gillman
PART IV. PUBLIC PERFORMANCES
Chapter 14. The Lyric Public of Les Cenelles
—Lloyd Pratt
Chapter 15. Imagining a State of Fellow Citizens: Early African American
Politics of Publicity in the Black State Conventions
—Derrick R. Spires
Chapter 16. "Keep It Before the People": The Pictorialization of American
Abolitionism
—Radiclani Clytus
Chapter 17. John Marrant Blows the French Horn: Print, Performance, and the
Making of Publics in Early African American Literature
—Elizabeth Maddock Dillon
Notes
List of Contributors
Index
Acknowledgments
—Lara Langer Cohen and Jordan Alexander Stein
PART I. VECTORS OF MOVEMENT
Chapter 1. The Print Atlantic: Phillis Wheatley, Ignatius Sancho, and the
Cultural Significance of the Book
—Joseph Rezek
Chapter 2. The Unfortunates: What the Life Spans of Early Black Books Tell
Us About Book History
—Joanna Brooks
Chapter 3. Frances Ellen Watkins Harper and the Circuits of Abolitionist
Poetry
—Meredith L. McGill
Chapter 4. Early African American Print Culture and the American West
—Eric Gardner
PART II. RACIALIZATION AND IDENTITY PRODUCTION
Chapter 5. Apprehending Early African American Literary History
—Jeannine Marie DeLombard
Chapter 6. Black Voices, White Print: Racial Practice, Print Publicity, and
Order in the Early American Republic
—Corey Capers
Chapter 7. Slavery, Imprinted: The Life and Narrative of William Grimes
—Susanna Ashton
Chapter 8. Bottles of Ink and Reams of Paper: Clotel, Racialization, and
the Material Culture of Print
—Jonathan Senchyne
PART III. ADAPTATION, CITATION, DEPLOYMENT
Chapter 9. Notes from the State of Saint Domingue: The Practice of Citation
in Clotel
—Lara Langer Cohen
Chapter 10. The Canon in Front of Them: African American Deployments of
"The Charge of the Light Brigade"
—Daniel Hack
Chapter 11. Another Long Bridge: Reproduction and Reversion in Hagar's
Daughter
—Holly Jackson
Chapter 12. "Photographs to Answer Our Purposes": Representations of the
Liberian Landscape in Colonization Print Culture
—Dalila Scruggs
Chapter 13. Networking Uncle Tom's Cabin; or, Hyper Stowe in Early African
American Print Culture
—Susan Gillman
PART IV. PUBLIC PERFORMANCES
Chapter 14. The Lyric Public of Les Cenelles
—Lloyd Pratt
Chapter 15. Imagining a State of Fellow Citizens: Early African American
Politics of Publicity in the Black State Conventions
—Derrick R. Spires
Chapter 16. "Keep It Before the People": The Pictorialization of American
Abolitionism
—Radiclani Clytus
Chapter 17. John Marrant Blows the French Horn: Print, Performance, and the
Making of Publics in Early African American Literature
—Elizabeth Maddock Dillon
Notes
List of Contributors
Index
Acknowledgments
Introduction: Early African American Print Culture
—Lara Langer Cohen and Jordan Alexander Stein
PART I. VECTORS OF MOVEMENT
Chapter 1. The Print Atlantic: Phillis Wheatley, Ignatius Sancho, and the
Cultural Significance of the Book
—Joseph Rezek
Chapter 2. The Unfortunates: What the Life Spans of Early Black Books Tell
Us About Book History
—Joanna Brooks
Chapter 3. Frances Ellen Watkins Harper and the Circuits of Abolitionist
Poetry
—Meredith L. McGill
Chapter 4. Early African American Print Culture and the American West
—Eric Gardner
PART II. RACIALIZATION AND IDENTITY PRODUCTION
Chapter 5. Apprehending Early African American Literary History
—Jeannine Marie DeLombard
Chapter 6. Black Voices, White Print: Racial Practice, Print Publicity, and
Order in the Early American Republic
—Corey Capers
Chapter 7. Slavery, Imprinted: The Life and Narrative of William Grimes
—Susanna Ashton
Chapter 8. Bottles of Ink and Reams of Paper: Clotel, Racialization, and
the Material Culture of Print
—Jonathan Senchyne
PART III. ADAPTATION, CITATION, DEPLOYMENT
Chapter 9. Notes from the State of Saint Domingue: The Practice of Citation
in Clotel
—Lara Langer Cohen
Chapter 10. The Canon in Front of Them: African American Deployments of
"The Charge of the Light Brigade"
—Daniel Hack
Chapter 11. Another Long Bridge: Reproduction and Reversion in Hagar's
Daughter
—Holly Jackson
Chapter 12. "Photographs to Answer Our Purposes": Representations of the
Liberian Landscape in Colonization Print Culture
—Dalila Scruggs
Chapter 13. Networking Uncle Tom's Cabin; or, Hyper Stowe in Early African
American Print Culture
—Susan Gillman
PART IV. PUBLIC PERFORMANCES
Chapter 14. The Lyric Public of Les Cenelles
—Lloyd Pratt
Chapter 15. Imagining a State of Fellow Citizens: Early African American
Politics of Publicity in the Black State Conventions
—Derrick R. Spires
Chapter 16. "Keep It Before the People": The Pictorialization of American
Abolitionism
—Radiclani Clytus
Chapter 17. John Marrant Blows the French Horn: Print, Performance, and the
Making of Publics in Early African American Literature
—Elizabeth Maddock Dillon
Notes
List of Contributors
Index
Acknowledgments
—Lara Langer Cohen and Jordan Alexander Stein
PART I. VECTORS OF MOVEMENT
Chapter 1. The Print Atlantic: Phillis Wheatley, Ignatius Sancho, and the
Cultural Significance of the Book
—Joseph Rezek
Chapter 2. The Unfortunates: What the Life Spans of Early Black Books Tell
Us About Book History
—Joanna Brooks
Chapter 3. Frances Ellen Watkins Harper and the Circuits of Abolitionist
Poetry
—Meredith L. McGill
Chapter 4. Early African American Print Culture and the American West
—Eric Gardner
PART II. RACIALIZATION AND IDENTITY PRODUCTION
Chapter 5. Apprehending Early African American Literary History
—Jeannine Marie DeLombard
Chapter 6. Black Voices, White Print: Racial Practice, Print Publicity, and
Order in the Early American Republic
—Corey Capers
Chapter 7. Slavery, Imprinted: The Life and Narrative of William Grimes
—Susanna Ashton
Chapter 8. Bottles of Ink and Reams of Paper: Clotel, Racialization, and
the Material Culture of Print
—Jonathan Senchyne
PART III. ADAPTATION, CITATION, DEPLOYMENT
Chapter 9. Notes from the State of Saint Domingue: The Practice of Citation
in Clotel
—Lara Langer Cohen
Chapter 10. The Canon in Front of Them: African American Deployments of
"The Charge of the Light Brigade"
—Daniel Hack
Chapter 11. Another Long Bridge: Reproduction and Reversion in Hagar's
Daughter
—Holly Jackson
Chapter 12. "Photographs to Answer Our Purposes": Representations of the
Liberian Landscape in Colonization Print Culture
—Dalila Scruggs
Chapter 13. Networking Uncle Tom's Cabin; or, Hyper Stowe in Early African
American Print Culture
—Susan Gillman
PART IV. PUBLIC PERFORMANCES
Chapter 14. The Lyric Public of Les Cenelles
—Lloyd Pratt
Chapter 15. Imagining a State of Fellow Citizens: Early African American
Politics of Publicity in the Black State Conventions
—Derrick R. Spires
Chapter 16. "Keep It Before the People": The Pictorialization of American
Abolitionism
—Radiclani Clytus
Chapter 17. John Marrant Blows the French Horn: Print, Performance, and the
Making of Publics in Early African American Literature
—Elizabeth Maddock Dillon
Notes
List of Contributors
Index
Acknowledgments