This book is a significant re-thinking of Duchamp's importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism.
This book is a significant re-thinking of Duchamp's importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism.
Julian Jason Haladyn is an art historian, cultural theorist and professor at OCAD University, Canada.
Inhaltsangabe
List of figures Acknowledgments 1 Apropos 2 Readymade as object 3 Capitalist accelerations 4 Aesthetics and the object 5 Comb 6 Speeding up language 7 Challenges to origineity 8 Consequences of a Duchampian accelerationism [1] 9 The choice economy 10 Readymade as black hole 11 Consequences of a Duchampian accelerationism [2] 12 Tzanck Check 13 Note on a readymade economics 14 Missed creative acts 15 Remade readymades 16 We Will Wait 17 An accelerated Duchamp
List of figures Acknowledgments 1 Apropos 2 Readymade as object 3 Capitalist accelerations 4 Aesthetics and the object 5 Comb 6 Speeding up language 7 Challenges to origineity 8 Consequences of a Duchampian accelerationism [1] 9 The choice economy 10 Readymade as black hole 11 Consequences of a Duchampian accelerationism [2] 12 Tzanck Check 13 Note on a readymade economics 14 Missed creative acts 15 Remade readymades 16 We Will Wait 17 An accelerated Duchamp
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