Marcel Duchamps 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamps workand in Dada and Surrealist art more broadlyto show how the concept of art itself became the critical fuel and springboard for questioning arts fundamental premises.
Marcel Duchamps 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamps workand in Dada and Surrealist art more broadlyto show how the concept of art itself became the critical fuel and springboard for questioning arts fundamental premises.
Dalia Judovitz is National Endowment for the Humanities Professor of French at Emory University. She is the author of Unpacking Duchamp: Art in Transit, Subjectivity and Representation in Descartes: The Origins of Modernity, and The Culture of the Body: Genealogies of Modernity.
Inhaltsangabe
List of Illustrations Introduction: Drawing on Art and Artists 1. Critiques of the Ocular: Duchamp and Paris Dada 2. The Spectacle of Film: Duchamp and Dada Experiments 3. Endgame Strategies: Art Chess and Creativity 4. Pointing Fingers: Dalí’s Homage to Duchamp 5. The Apparatus of Spectatorship: Duchamp Matta-Clark and Wilson Concluding Remarks: Mirrorical Returns Notes Index
List of Illustrations Introduction: Drawing on Art and Artists 1. Critiques of the Ocular: Duchamp and Paris Dada 2. The Spectacle of Film: Duchamp and Dada Experiments 3. Endgame Strategies: Art Chess and Creativity 4. Pointing Fingers: Dalí’s Homage to Duchamp 5. The Apparatus of Spectatorship: Duchamp Matta-Clark and Wilson Concluding Remarks: Mirrorical Returns Notes Index
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