Drama in Medieval and Early Modern Europe explores the role of drama and spectacle in England, France, the Low Countries, Spain, Italy, Switzerland, Austria and Germany. It is ideal for students of social history, and the history of medieval and early modern drama or literature.
Drama in Medieval and Early Modern Europe explores the role of drama and spectacle in England, France, the Low Countries, Spain, Italy, Switzerland, Austria and Germany. It is ideal for students of social history, and the history of medieval and early modern drama or literature.
Nadia Thérèse van Pelt is a Lecturer at Delft University of Technology, The Netherlands. She obtained her PhD at the University of Southampton in 2014 and focuses her research on early European drama and spectacle, through the study of playmaker strategies and spectatorship.
Inhaltsangabe
Introduction 1 Mass murder: Shocking spectators of late medieval sacrament plays 2 The strumpet saint: Eroticism and artifice in Mary Magdalene plays 3 Wilhelm Tell and Robin Hood, outlaws or elite? 4 The perils of public festivity Conclusion: Playmakers and their strategies Bibliography Index
Introduction 1 Mass murder: Shocking spectators of late medieval sacrament plays 2 The strumpet saint: Eroticism and artifice in Mary Magdalene plays 3 Wilhelm Tell and Robin Hood, outlaws or elite? 4 The perils of public festivity Conclusion: Playmakers and their strategies Bibliography Index
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