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Argues that donor portraits in Byzantine art should instead be considered as contact portraits. Contends that the most important feature of the scenes of supplication between mortals and holy, supernatural interlocutors consists in the active role that they play within the belief systems of the supplicants.

Produktbeschreibung
Argues that donor portraits in Byzantine art should instead be considered as contact portraits. Contends that the most important feature of the scenes of supplication between mortals and holy, supernatural interlocutors consists in the active role that they play within the belief systems of the supplicants.
Autorenporträt
Rico Franses is an Associate Professor in the Department of Fine Arts and Art History, American University of Beirut, and Director of the University Art Galleries and Collections.