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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Donald Oscar Banks (25 October 1923 5 September 1980) was an Australian composer of concert, jazz, and commercial music. He initially studied at the University of Melbourne, then moved to London where he studied with Mátyás Seiber. Further studies with Milton Babbitt, Luigi Dallapiccola, and Luigi Nono convinced him of the merits of serialism, which he incorporated into his compositional technique. Through Seiber, he gained contacts in the film industry, where he…mehr

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Donald Oscar Banks (25 October 1923 5 September 1980) was an Australian composer of concert, jazz, and commercial music. He initially studied at the University of Melbourne, then moved to London where he studied with Mátyás Seiber. Further studies with Milton Babbitt, Luigi Dallapiccola, and Luigi Nono convinced him of the merits of serialism, which he incorporated into his compositional technique. Through Seiber, he gained contacts in the film industry, where he became a frequent composer of music, mainly for cartoons, and the horror movies produced by Hammer Films. Beginning in the mid-1960s, he composed a number of works in the Third Stream style espoused by Gunther Schuller, mixing jazz and concert-music idioms, and began a series of works using electronic music materials.