Best known for his piano music, Déodat de Séverac (1872-1921) also composed orchestral and vocal works, including opera, cantata and incidental music. In this book, Robert Waters provides a much-needed study of the life and works of Séverac, focusing on the composer's regionalist philosophy. Séverac's engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.…mehr
Best known for his piano music, Déodat de Séverac (1872-1921) also composed orchestral and vocal works, including opera, cantata and incidental music. In this book, Robert Waters provides a much-needed study of the life and works of Séverac, focusing on the composer's regionalist philosophy. Séverac's engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.
Robert F. Waters is Assistant Professor of Music History at Seton Hall University in South Orange, New Jersey, just outside of New York City. As a musicologist, he did editorial work on the French text of music criticism written by Hector Berlioz, a project undertaken by the Center for Studies in Nineteenth-Century Music in collaboration with the Paris Conservatoire. Published articles include "Emulation and Influence: Japonisme and Western Music in fin de siècle Paris" for the British journal The Music Review. He has lectured and presented papers in Australia, Greece, England, and throughout the United States. As a journalist, Waters was a contributing music writer for the Washington Post for ten years, and as a former pianist, Waters studied with Santiago Rodriguez, Thomas Schumacher, and Daniel Ericourt.
Inhaltsangabe
Contents: Preface Part I Introduction, Biography, and Regionalist Philosophy: Introduction Biography Le régionalisme. Part II Compositions from the Paris Years, 1896-1909: Severac, Christianity and organ music Songs Opera: Le Coeur du Moulin (The Heart of the Mill) Piano music Unpublished, unfinished, lost, and recently published works. Part III Catalan Music, 1910-1921: Catalan regionalism: politics and music Severac's Catalan works Conclusion Appendix Bibliography Index.
Contents: Preface Part I Introduction, Biography, and Regionalist Philosophy: Introduction Biography Le régionalisme. Part II Compositions from the Paris Years, 1896-1909: Severac, Christianity and organ music Songs Opera: Le Coeur du Moulin (The Heart of the Mill) Piano music Unpublished, unfinished, lost, and recently published works. Part III Catalan Music, 1910-1921: Catalan regionalism: politics and music Severac's Catalan works Conclusion Appendix Bibliography Index.
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