Doctrine and Difference: Readings in Classic American Literature aims to study the authors of what was previously called "The American Renaissance", reading them together in the light of their shared inheritance.
Doctrine and Difference: Readings in Classic American Literature aims to study the authors of what was previously called "The American Renaissance", reading them together in the light of their shared inheritance.
Michael J. Colacurcio was born in Cincinnati and educated there by Jesuits. He took his Ph.D. at Illinois in 1963 and went to work at Cornell, moving to UCLA in 1985, where he is now a Distinguished Professor. Winner of teaching awards at both universities and, since 2007, a member of the American Society of Arts and Sciences, his works include The Province of Piety (1985), Doctrine and Difference (1997), Godly Letters (2006), and Emerson and Other Minds (2020).
Inhaltsangabe
Preface 01. MAKING CONSCIENCE, TRUSTING GOD: The (Almost) Weaned Affections of Anne Bradstreet 02. COSMOPOLITAN AND PROVINCIAL: Hawthorne and the Reference of American Studies 03. "SUPERNAL LOVELINESS" AND "FANTASTIC FOOLERY": The Aesthetic in Poe and Hawthorne 04. CONSCIOUSNESS AND ASCRIPTION: Emerson and the Scandal of the Subject 05. "LIFE WITHIN THE LIFE": Sin and Self in Hawthorne's New England 06. THE SOUTH SEAS IN MELVILLE: Genre, Myth (and Sex) in Typee, Omoo, Mardi 07. "ARTIFICIAL FIRE": Melville and the Mythology of "Ethan Brand" 08. INHERITANCE, REPETITION, COMPLICITY, REDEMPTION: Sin and Salvation in The House of the Seven Gables 09. CHARITY AND ITS DISCONTENTS: Pity and Politics in Melville's Short Fiction 10. "THE FRIENDSHIP OF THE SEASONS": Climax and Confirmation in the Plot of Walden 11. "OUR CONVERSATION WITH NATURE": Emerson's Cave and Plato's "Allegory" 12. "MEAN OR UNAMIABLE PEOPLE": Manners, Morals (and Grace?) in The Rise of Silas Lapham and The American
Preface 01. MAKING CONSCIENCE, TRUSTING GOD: The (Almost) Weaned Affections of Anne Bradstreet 02. COSMOPOLITAN AND PROVINCIAL: Hawthorne and the Reference of American Studies 03. "SUPERNAL LOVELINESS" AND "FANTASTIC FOOLERY": The Aesthetic in Poe and Hawthorne 04. CONSCIOUSNESS AND ASCRIPTION: Emerson and the Scandal of the Subject 05. "LIFE WITHIN THE LIFE": Sin and Self in Hawthorne's New England 06. THE SOUTH SEAS IN MELVILLE: Genre, Myth (and Sex) in Typee, Omoo, Mardi 07. "ARTIFICIAL FIRE": Melville and the Mythology of "Ethan Brand" 08. INHERITANCE, REPETITION, COMPLICITY, REDEMPTION: Sin and Salvation in The House of the Seven Gables 09. CHARITY AND ITS DISCONTENTS: Pity and Politics in Melville's Short Fiction 10. "THE FRIENDSHIP OF THE SEASONS": Climax and Confirmation in the Plot of Walden 11. "OUR CONVERSATION WITH NATURE": Emerson's Cave and Plato's "Allegory" 12. "MEAN OR UNAMIABLE PEOPLE": Manners, Morals (and Grace?) in The Rise of Silas Lapham and The American
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