Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching.
Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching.
Simon Langford is a professional music producer and remixer, with close to ten years of experience. He has worked on over 300 remixes, and has had tracks of his own in the UK National Top 20 Single Chart and the US Billboard Dance Chart. Simon is a regular contributor to Sound On Sound magazine and the author of The Remix Manual (Focal Press).
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What exactly is audio editing? Chapter One: Audio Editing 101 Chapter Two: The Different Aims Of Audio Editing Section One: Corrective Editing Chapter Three: Cutting, Copying, Pasting and Moving Chapter Four: Fades and Crossfades Chapter Five: Level Control Chapter Six: Tonal Matching Chapter Seven: Comping and Alternate Takes Chapter Eight: Multi-track Comping Chapter Nine: Transient Detection Section Two: Creative Editing Chapter Ten: Beat-mapping and Recycling Chapter Eleven: Drum Replacement Chapter Twelve: Time-stretching Chapter Thirteen: Elastic Audio (Time) Chapter Fourteen: Pitch Shifting -Section Three: Restorative Editing Chapter Fifteen: Editing In The Third Dimension Chapter Sixteen: Spectral Editing Chapter Seventeen: Applications of Audio Restoration Chapter Eighteen: Demixing Chapter Nineteen: Thinking Outside The Box
