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Paris 1759: a campaign to radically redefine the public dimension of all 'imaginative' arts is underway. This study examines the clash between Diderot and Rousseau, frères ennemis, in a dispute that was above all else political, despite revolving entirely around forms of artistic expression.

Produktbeschreibung
Paris 1759: a campaign to radically redefine the public dimension of all 'imaginative' arts is underway. This study examines the clash between Diderot and Rousseau, frères ennemis, in a dispute that was above all else political, despite revolving entirely around forms of artistic expression.
Autorenporträt
GERARDO TOCCHINI is Full-Professor in Modern History at the Ca 'Foscari University of Venice. His research area is the social history of early modern European culture from the sixteenth to the late nineteenth century. He is the author of I Fratelli d'Orfeo (1998); Minacciare con le immagini. Tintoretto (2010); La politica della rappresentazione (2012); Su Greuze e Rousseau (2016).