Dialogue on Partition shows how shared time and space as depicted in partition literature can foster dialogue despite separation and relocation. By incorporating the multiple and eclectic perspectives of characters, narrators, writers, and historians, art and literature can be used as tools of integration between sects, religions and differences.
Dialogue on Partition shows how shared time and space as depicted in partition literature can foster dialogue despite separation and relocation. By incorporating the multiple and eclectic perspectives of characters, narrators, writers, and historians, art and literature can be used as tools of integration between sects, religions and differences.
Chapter I: Dialogization of Identities in Bapsi Sidhwa's Ice-Candy-Man Chapter II: The Heteroglot World in Khushwant Singh's Train to Pakistan Chapter III: Chronotopal Movement in Anita Desai's Clear Light of Day Chapter IV: The Coexistence of Polyphonic Voices in Mehr Nigar Masroor's Shadows of Time Chapter V: Creation of Dialogic Paradigms
Chapter I: Dialogization of Identities in Bapsi Sidhwa's Ice-Candy-Man Chapter II: The Heteroglot World in Khushwant Singh's Train to Pakistan Chapter III: Chronotopal Movement in Anita Desai's Clear Light of Day Chapter IV: The Coexistence of Polyphonic Voices in Mehr Nigar Masroor's Shadows of Time Chapter V: Creation of Dialogic Paradigms
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