Designing and Implementing Multimodal Curricula and Programs
Herausgeber: Lee, J C; Khadka, Santosh
Designing and Implementing Multimodal Curricula and Programs
Herausgeber: Lee, J C; Khadka, Santosh
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This volume presents a comprehensive overview of multimodal approaches to curriculum and programmatic implementation across a diverse range of teaching environments and across geographic and cultural boundaries.
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This volume presents a comprehensive overview of multimodal approaches to curriculum and programmatic implementation across a diverse range of teaching environments and across geographic and cultural boundaries.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 290
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 404g
- ISBN-13: 9780367593315
- ISBN-10: 0367593319
- Artikelnr.: 69890064
- Verlag: CRC Press
- Seitenzahl: 290
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 404g
- ISBN-13: 9780367593315
- ISBN-10: 0367593319
- Artikelnr.: 69890064
J. C. Lee is Assistant Professor of English and Stretch Composition Coordinator at California State University, Northridge. Lee has presented at numerous conferences, including the Conference on College Composition and Communication (CCCC), the Northeast Writing Center's Association (NEWCA), the Modern Language Association (MLA), and the Rhetoric Society of America's (RSA) Summer Institute. Her work has appeared in such publications as the Journal of Popular Culture, Academic Exchange Quarterly , and Comparative Literature and Culture. Her research interests include multimodality and public writing, as well as rhetorics of contingency, professional development, and labor in academic environments. Santosh Khadka is an Assistant Professor of English at California State University Northridge. He teaches graduate and undergraduate courses in writing, rhetoric, digital media, and professional communication. He is co-editing three books at this point, and has published several articles in the academic journals in the United States and abroad.
Introduction: Perspectives on Designing and Implementing Multimodal
Curricula and Programs J. C. Lee and Santosh Khadka Part I: Multimodality
in the Classroom Chapter 1: Braving Multimodality in the Composition
Classroom: An Experiment to Get the Process Started Dawn Lombardi Chapter
2: Transforming Curriculum: Re-seeing Rhetoric through a Multimodal Lens
Kim Haimes-Korn and Kendra Hansen Chapter 3: The PPPP's of a POOC:
Personal, Participatory, Professional, Points of Presence, in an Open
Online Course Daniel Schafer and Paul Muhlhauser Chapter 4: United We
Stand, Divided We Fall: An Argument for Universal Design for Learning (UDL)
Mariana Grohowski Part II: Professional and Institutional Development for
Multimodal Instruction Chapter 5: Surveying the Available Modes of
Persuasion Rory Lee Chapter 6: The Place of Multimodal Curriculum for
Instructors, Departments, and Institutions Alex Gulecoglu Chapter 7:
Initiating Multimodal Training: Faculty Development for Creating and
Assessing Assignments Lindsay Ann Sabatino and Brenta Blevins Chapter 8:
Interdisciplinary Faculty Training Experiences in Multimodal Composition
Sarah Summers, Janie Szabo, and Ella L. Ingram Chapter 9: Implementing
Digital Storytelling Across the Curriculum at a Small Liberal Arts College
Erica Yozell, Crystal Fodrey, and Meg Mikovits Part III: Extending the
Conversation: Implementing Multimodality in Multilingual and International
Classrooms Chapter 10: Is the Language of Comics Universal?: Using Comics
to Teach Material Rhetoric in a Transnational Context Aaron Kashtan
Chapter 11: Mode-Switching: Multimodal Pedagogy in the Multilingual
Composition Classroom Bethany Anne Monea and Juliana Pybus Chapter 12: The
Potential and Pitfalls of Multimodality in English Composition Pedagogy
Anni Grigoryan Chapter 13: Multimodal Composition in a First-Year Writing
Course in a Colombian University Karen López-Gil and Violeta Molina-Natera
(Translated by Nelson Jasac Castillo Narváez) Chapter 14: Listen Carefully
and You Will Hear: Using Creative Multimodal Assessments to Promote Student
Expression Maha Bali and Hoda Mostafa
Curricula and Programs J. C. Lee and Santosh Khadka Part I: Multimodality
in the Classroom Chapter 1: Braving Multimodality in the Composition
Classroom: An Experiment to Get the Process Started Dawn Lombardi Chapter
2: Transforming Curriculum: Re-seeing Rhetoric through a Multimodal Lens
Kim Haimes-Korn and Kendra Hansen Chapter 3: The PPPP's of a POOC:
Personal, Participatory, Professional, Points of Presence, in an Open
Online Course Daniel Schafer and Paul Muhlhauser Chapter 4: United We
Stand, Divided We Fall: An Argument for Universal Design for Learning (UDL)
Mariana Grohowski Part II: Professional and Institutional Development for
Multimodal Instruction Chapter 5: Surveying the Available Modes of
Persuasion Rory Lee Chapter 6: The Place of Multimodal Curriculum for
Instructors, Departments, and Institutions Alex Gulecoglu Chapter 7:
Initiating Multimodal Training: Faculty Development for Creating and
Assessing Assignments Lindsay Ann Sabatino and Brenta Blevins Chapter 8:
Interdisciplinary Faculty Training Experiences in Multimodal Composition
Sarah Summers, Janie Szabo, and Ella L. Ingram Chapter 9: Implementing
Digital Storytelling Across the Curriculum at a Small Liberal Arts College
Erica Yozell, Crystal Fodrey, and Meg Mikovits Part III: Extending the
Conversation: Implementing Multimodality in Multilingual and International
Classrooms Chapter 10: Is the Language of Comics Universal?: Using Comics
to Teach Material Rhetoric in a Transnational Context Aaron Kashtan
Chapter 11: Mode-Switching: Multimodal Pedagogy in the Multilingual
Composition Classroom Bethany Anne Monea and Juliana Pybus Chapter 12: The
Potential and Pitfalls of Multimodality in English Composition Pedagogy
Anni Grigoryan Chapter 13: Multimodal Composition in a First-Year Writing
Course in a Colombian University Karen López-Gil and Violeta Molina-Natera
(Translated by Nelson Jasac Castillo Narváez) Chapter 14: Listen Carefully
and You Will Hear: Using Creative Multimodal Assessments to Promote Student
Expression Maha Bali and Hoda Mostafa
Introduction: Perspectives on Designing and Implementing Multimodal
Curricula and Programs J. C. Lee and Santosh Khadka Part I: Multimodality
in the Classroom Chapter 1: Braving Multimodality in the Composition
Classroom: An Experiment to Get the Process Started Dawn Lombardi Chapter
2: Transforming Curriculum: Re-seeing Rhetoric through a Multimodal Lens
Kim Haimes-Korn and Kendra Hansen Chapter 3: The PPPP's of a POOC:
Personal, Participatory, Professional, Points of Presence, in an Open
Online Course Daniel Schafer and Paul Muhlhauser Chapter 4: United We
Stand, Divided We Fall: An Argument for Universal Design for Learning (UDL)
Mariana Grohowski Part II: Professional and Institutional Development for
Multimodal Instruction Chapter 5: Surveying the Available Modes of
Persuasion Rory Lee Chapter 6: The Place of Multimodal Curriculum for
Instructors, Departments, and Institutions Alex Gulecoglu Chapter 7:
Initiating Multimodal Training: Faculty Development for Creating and
Assessing Assignments Lindsay Ann Sabatino and Brenta Blevins Chapter 8:
Interdisciplinary Faculty Training Experiences in Multimodal Composition
Sarah Summers, Janie Szabo, and Ella L. Ingram Chapter 9: Implementing
Digital Storytelling Across the Curriculum at a Small Liberal Arts College
Erica Yozell, Crystal Fodrey, and Meg Mikovits Part III: Extending the
Conversation: Implementing Multimodality in Multilingual and International
Classrooms Chapter 10: Is the Language of Comics Universal?: Using Comics
to Teach Material Rhetoric in a Transnational Context Aaron Kashtan
Chapter 11: Mode-Switching: Multimodal Pedagogy in the Multilingual
Composition Classroom Bethany Anne Monea and Juliana Pybus Chapter 12: The
Potential and Pitfalls of Multimodality in English Composition Pedagogy
Anni Grigoryan Chapter 13: Multimodal Composition in a First-Year Writing
Course in a Colombian University Karen López-Gil and Violeta Molina-Natera
(Translated by Nelson Jasac Castillo Narváez) Chapter 14: Listen Carefully
and You Will Hear: Using Creative Multimodal Assessments to Promote Student
Expression Maha Bali and Hoda Mostafa
Curricula and Programs J. C. Lee and Santosh Khadka Part I: Multimodality
in the Classroom Chapter 1: Braving Multimodality in the Composition
Classroom: An Experiment to Get the Process Started Dawn Lombardi Chapter
2: Transforming Curriculum: Re-seeing Rhetoric through a Multimodal Lens
Kim Haimes-Korn and Kendra Hansen Chapter 3: The PPPP's of a POOC:
Personal, Participatory, Professional, Points of Presence, in an Open
Online Course Daniel Schafer and Paul Muhlhauser Chapter 4: United We
Stand, Divided We Fall: An Argument for Universal Design for Learning (UDL)
Mariana Grohowski Part II: Professional and Institutional Development for
Multimodal Instruction Chapter 5: Surveying the Available Modes of
Persuasion Rory Lee Chapter 6: The Place of Multimodal Curriculum for
Instructors, Departments, and Institutions Alex Gulecoglu Chapter 7:
Initiating Multimodal Training: Faculty Development for Creating and
Assessing Assignments Lindsay Ann Sabatino and Brenta Blevins Chapter 8:
Interdisciplinary Faculty Training Experiences in Multimodal Composition
Sarah Summers, Janie Szabo, and Ella L. Ingram Chapter 9: Implementing
Digital Storytelling Across the Curriculum at a Small Liberal Arts College
Erica Yozell, Crystal Fodrey, and Meg Mikovits Part III: Extending the
Conversation: Implementing Multimodality in Multilingual and International
Classrooms Chapter 10: Is the Language of Comics Universal?: Using Comics
to Teach Material Rhetoric in a Transnational Context Aaron Kashtan
Chapter 11: Mode-Switching: Multimodal Pedagogy in the Multilingual
Composition Classroom Bethany Anne Monea and Juliana Pybus Chapter 12: The
Potential and Pitfalls of Multimodality in English Composition Pedagogy
Anni Grigoryan Chapter 13: Multimodal Composition in a First-Year Writing
Course in a Colombian University Karen López-Gil and Violeta Molina-Natera
(Translated by Nelson Jasac Castillo Narváez) Chapter 14: Listen Carefully
and You Will Hear: Using Creative Multimodal Assessments to Promote Student
Expression Maha Bali and Hoda Mostafa