This book offers a provocative and original reading of Deleuze's entire philosophy, highlighting the question of modality (the actual, the virtual, the possible, the impossible and the incompossible), the problematic relationship between the event and the assemblage, and the unifying theme of the vitalism of nonorganic life.
This book offers a provocative and original reading of Deleuze's entire philosophy, highlighting the question of modality (the actual, the virtual, the possible, the impossible and the incompossible), the problematic relationship between the event and the assemblage, and the unifying theme of the vitalism of nonorganic life.
Catarina Pombo Nabais is a Researcher at the Department of History and Philosophy of Sciences, Faculty of Sciences, University of Lisbon and at the Center for Philosophy of Sciences of the University of Lisbon.
Inhaltsangabe
Acknowledgments Abbreviations Preface by Jacques Rancière Translator's Preface by Ronald Bogue General Introduction: Toward a Cartography of Art Part One: Toward A Cartography of Art Introduction: Four, Three, Two Chapter One: The Proust of 1964. Toward a Kantian Theory of Literature Chapter Two: Sacher-Masoch: From the Phantasm to the Event Chapter Three: The Proust of 1970. The Literary Machine Chapter Four. The Proust of 1973. The Madness of the Narrator Part Two: Kafka and Bene: The Power of Literature Chapter Five: Kafka-Of the Real in Order to Have Done with the Law and the Imagination Chapter Six: Carmelo Bene and the Real of Less Chapter Seven: Event and Assemblage: The Statement and the Haecceity Part Three: Beckett and Melville: The Possibility of Literature Introduction: From Power to the Possible Chapter Eight: Art as Spiritualization of the Possible Chapter Nine: Bartleby, or the Formula of the Incompossible Chapter Ten: Beckett and the Exhaustion of the Possible Conclusion: The Deleuzian Vitalist Chaosmos Bibliography Index
Acknowledgments Abbreviations Preface by Jacques Rancière Translator's Preface by Ronald Bogue General Introduction: Toward a Cartography of Art Part One: Toward A Cartography of Art Introduction: Four, Three, Two Chapter One: The Proust of 1964. Toward a Kantian Theory of Literature Chapter Two: Sacher-Masoch: From the Phantasm to the Event Chapter Three: The Proust of 1970. The Literary Machine Chapter Four. The Proust of 1973. The Madness of the Narrator Part Two: Kafka and Bene: The Power of Literature Chapter Five: Kafka-Of the Real in Order to Have Done with the Law and the Imagination Chapter Six: Carmelo Bene and the Real of Less Chapter Seven: Event and Assemblage: The Statement and the Haecceity Part Three: Beckett and Melville: The Possibility of Literature Introduction: From Power to the Possible Chapter Eight: Art as Spiritualization of the Possible Chapter Nine: Bartleby, or the Formula of the Incompossible Chapter Ten: Beckett and the Exhaustion of the Possible Conclusion: The Deleuzian Vitalist Chaosmos Bibliography Index
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