This book focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics; post-nationalism and gender; non-Western ecologies; trauma and memory; diasporic experiences of space; biopolitics; and decolonial temporalities.
This book focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics; post-nationalism and gender; non-Western ecologies; trauma and memory; diasporic experiences of space; biopolitics; and decolonial temporalities.
Kristin Lené Hole is Associate Professor of Film Studies in the School of Film at Portland State University, USA. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy.
Inhaltsangabe
Chapter 1 Introduction- Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics Chapter 2 Ghosts and Echoes: Decolonial Historiography in the Films of Jumana Manna Chapter 3 Decolonial Ecologies in Jumana Manna's Wild Relatives (2018) and Foragers (2022) Chapter 4 In the Future Palestine Was...: Larissa Sansour's Dystopian Futurisms Chapter 5 Decolonizing, Deterritorializing: Gaza and Beyond in the films of Basma Alsharif
Chapter 1 Introduction- Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics Chapter 2 Ghosts and Echoes: Decolonial Historiography in the Films of Jumana Manna Chapter 3 Decolonial Ecologies in Jumana Manna's Wild Relatives (2018) and Foragers (2022) Chapter 4 In the Future Palestine Was...: Larissa Sansour's Dystopian Futurisms Chapter 5 Decolonizing, Deterritorializing: Gaza and Beyond in the films of Basma Alsharif
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