Day In, Day Out - Smith, Simon
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Simon Smith's series of poetry journals is a plate of spinning, stunning experience. With his renowned poetic skill, Smith quietly and carefully shifts from the panoramic into the still frame of the inner life with its familiar daily worries. . . . Day In, Day Out is washed in the meals of new potatoes, sautèd cabbage leaves, the wine of Château Moulin de Honternieux Médoc (2012), Dogfish Head IPA, pizza, salad with sparkling wine. It's a delicious journey. -Elaine Randell There's a history of English language poets transplanted to places ostensibly sharing the same tongue (Ronald Johnson,…mehr

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Produktbeschreibung
Simon Smith's series of poetry journals is a plate of spinning, stunning experience. With his renowned poetic skill, Smith quietly and carefully shifts from the panoramic into the still frame of the inner life with its familiar daily worries. . . . Day In, Day Out is washed in the meals of new potatoes, sautèd cabbage leaves, the wine of Château Moulin de Honternieux Médoc (2012), Dogfish Head IPA, pizza, salad with sparkling wine. It's a delicious journey. -Elaine Randell There's a history of English language poets transplanted to places ostensibly sharing the same tongue (Ronald Johnson, Jonathan Williams, Kenneth Rexroth in the UK; Charles Tomlinson, Thom Gunn in the USA). For these writers, the ordinary becomes the exotic. Their responses might be like those of a Martial transported from Spain to the Roman capital, with an outsider's ability to detect the fine (or gross) echoes of Empire amid the detritus. Simon Smith joins these ranks - He is a Paul Blackburn for the information age. -Laurie Duggan Simon Smith's work continues to be an essential reminder of the possibilities of poetry in the present moment. Day In, Day Out serves up quickly paced journal poems bursting with the details of the everyday life of travel, transience, and self-imposed displacement. Ghosted by his recently deceased father and Paul Blackburn's own journal poetry, Smith generously tells "everything I know" about time, impermanence, and the ordinary scintilla of the moment grasped as at once fleeting and overwhelmingly real. The devil-and the divine-is in the details. -Stephen Collis SIMON SMITH has published five collections of poetry. His third collection, Mercury (Salt Publications), was long-listed for the Costa Prize in 2007. A selected poems, More Flowers Than You Could Possibly Carry, appeared from Shearsman Books in 2016, and his latest pamphlet is Salon Noir (Equipage, 2016). He holds a PhD from the University of Glasgow.
Autorenporträt
Simon Smith was awarded a D.Phil. in Philosophy by the University of Sussex in 2007. The philosophical theology of Austin Farrer was, and is, his primary subject matter; personalist metaphysics, his abiding interest. He is now the editor of Appraisal, journal of the British Personalist Forum. He is also co-editor of two volumes of essays on modern personalist thought. The first, with James Beauregard, is In the Sphere of the Personal: New Perspectives in the Philosophy of Persons (Vernon Press, 2016); the second, with Anna Castriota, is Looking at the sun: New Writings in Modern Personalism (Vernon Press, 2017). Having once taught philosophy at the University of Southampton in the UK and the Modern College of Business and Science in Oman, he now lives happily in the library at the University of Surrey, where he scavenges for food among the law periodicals. Buried deep in the Surrey Downs, he occasionally pursues a more perfect alignment of science and religion through the diverse forms of personal analogy at work in modern physics and modern metaphysics.