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Published between 1308 and 1321, 'Dante's Inferno' is the first part of the 14th-Century epic poem Divine Comedy by Dante Alighieri, an Italian poet, writer, and philosopher. It is by far the most popular and well-known of the books in the Divine Comedy trilogy because of its portrayal and understanding of the moral and spiritual pitfalls which still torment us today. The allegory depicts Dante's journey through the depths of Hell. He is led by the Roman poet Virgil down into the nine circles of Hell, each of which holds and punishes progressively worse sinners. From the 'First Circle', where…mehr

Produktbeschreibung
Published between 1308 and 1321, 'Dante's Inferno' is the first part of the 14th-Century epic poem Divine Comedy by Dante Alighieri, an Italian poet, writer, and philosopher. It is by far the most popular and well-known of the books in the Divine Comedy trilogy because of its portrayal and understanding of the moral and spiritual pitfalls which still torment us today. The allegory depicts Dante's journey through the depths of Hell. He is led by the Roman poet Virgil down into the nine circles of Hell, each of which holds and punishes progressively worse sinners. From the 'First Circle', where unbaptized souls live in peaceful limbo, down to the 'Ninth Circle', where Satan is trapped in ice, Dante sees firsthand the consequence of unrepentantly sinning against God. "Through me, you go into a city of weeping; through me, you go into eternal pain; through me, you go amongst the lost people." -Dante Alighieri, The Inferno
Autorenporträt
Durante degli Alighieri (1265 - 1321), was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa and later christened Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. In the late Middle Ages, the overwhelming majority of poetry was written in Latin and therefore accessible only to affluent and educated audiences. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended use of the vernacular in literature. He himself would even write in the Tuscan dialect for works such as The New Life (1295) and the aforementioned Divine Comedy; this choice, although highly unorthodox, set a hugely important precedent that later Italian writers such as Petrarch and Boccaccio would follow. As a result, Dante played an instrumental role in establishing the national language of Italy.