Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years. This study examines its status as a comic-book movie, traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film."
Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years. This study examines its status as a comic-book movie, traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film."
Leon Hunt is a senior lecturer in film and TV studies at Brunel University. He is the author of British Low Culture: From Safari Suits to Sexpolitation (1998), Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger (2003), and Cult British TV Comedy: From Reeves and Mortimer to Psychoville (2013).
Inhaltsangabe
Acknowledgements Introduction: Diabolik, chi sei? 1. From fumetto nero to `wild and kooky cape-operä: Production, promotion, initial reception 2. `Uh-oh it s getting groovy! : The cult afterlife of Danger: Diabolik 3. Fantômas all italiana: Analysis 4. Genius of Crime: The place of the film Notes Bibliography Index
Acknowledgements Introduction: Diabolik, chi sei? 1. From fumetto nero to `wild and kooky cape-operä: Production, promotion, initial reception 2. `Uh-oh it s getting groovy! : The cult afterlife of Danger: Diabolik 3. Fantômas all italiana: Analysis 4. Genius of Crime: The place of the film Notes Bibliography Index
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