Rick Snoman
Dance Music Manual
Rick Snoman
Dance Music Manual
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Dance Music Manual - a comprehensive guidebook for novice and seasoned professionals alike - walks readers through the tools and techniques required to create original, captivating, and professional-sounding electronic dance music.
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Dance Music Manual - a comprehensive guidebook for novice and seasoned professionals alike - walks readers through the tools and techniques required to create original, captivating, and professional-sounding electronic dance music.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 560
- Erscheinungstermin: 23. September 2024
- Abmessung: 235mm x 191mm
- ISBN-13: 9781032646855
- ISBN-10: 1032646853
- Artikelnr.: 70239945
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 560
- Erscheinungstermin: 23. September 2024
- Abmessung: 235mm x 191mm
- ISBN-13: 9781032646855
- ISBN-10: 1032646853
- Artikelnr.: 70239945
Rick Snoman is a British music producer celebrated for his expertise as a producer, sound engineer, educator, and author. He owns Altar Recording Studios, a studio dedicated to modern EDM production, mixing, mastering and training. With a career spanning decades, he has worked with artists such as Nicky Holloway and, as chair for EDM for the Audio Engineering Society, held presentations on EDM production in New York, LA, and Dublin alongside Keynote at NAMM. Snoman's extensive expertise in EDM production and technology has made him a respected figure in the field.
1. The Secrets of Dance Music Production 2. Computers & Audio Interfaces 3.
Monitors & Headphones 4. The DAW 5. Designing and Connecting Your Studio 6.
Audio Engineering! 7. Aliasing and Latency 8. Hearing Protection 9. Music
Theory 10. Chords in Music 11. Harmonic Function 12. The Essentials of
Rhythm 13. Synthesis 14. The Art of Sampling 15. The Art of Sound Design:
Developing Listening Skills 16. The Art of Sound Design: Practical Skills
17. Modular Synthesis 18. Dynamics & Compression 19. The Art of Compression
20. Further Processing 21. Frequency Fundamentals 22. Effects 23. Mixing
Desk Structure 24. Metering, Levels and Gain 25. The Importance of Kick
Drums 26. Creating Drum Loops 27. Steps To Creating a Track 28. Recording
Technology 29. The Art of Recording 30. Working With Vocals & Samples 31.
Arranging Your Music 32. The Theory Behind Mixing 33. The Art of Mixing 34.
The Art of Mastering 35. The Art of the DJ
Monitors & Headphones 4. The DAW 5. Designing and Connecting Your Studio 6.
Audio Engineering! 7. Aliasing and Latency 8. Hearing Protection 9. Music
Theory 10. Chords in Music 11. Harmonic Function 12. The Essentials of
Rhythm 13. Synthesis 14. The Art of Sampling 15. The Art of Sound Design:
Developing Listening Skills 16. The Art of Sound Design: Practical Skills
17. Modular Synthesis 18. Dynamics & Compression 19. The Art of Compression
20. Further Processing 21. Frequency Fundamentals 22. Effects 23. Mixing
Desk Structure 24. Metering, Levels and Gain 25. The Importance of Kick
Drums 26. Creating Drum Loops 27. Steps To Creating a Track 28. Recording
Technology 29. The Art of Recording 30. Working With Vocals & Samples 31.
Arranging Your Music 32. The Theory Behind Mixing 33. The Art of Mixing 34.
The Art of Mastering 35. The Art of the DJ
Inhalt
Danksagungen ............................................. 7
Einleitung ............................................. 8
Kapitel 1 Musiktheorie Teil 1 - Oktaven, Skalen und Modi.......................................... 10
Kapitel 2 Musiktheorie Teil 2 - Akkorde und Harmonien...................................................... 24
Kapitel 3 Musiktheorie Teil 3 - Grundlagen des EDM-Rhythmus ........................ 50
Kapitel 4 Grundlagen der Elektronik und Klangerzeugung.............................. 61
Kapitel 5 MIDI, Audio und die Digital Audio-Workstation ........................................... 74
Kapitel 6 Synthesizer ............................................................................................................ 84
Kapitel 7 Sampler ........................................................................................................................... 110
Kapitel 8 Kompressoren ..................................................................................................................... 124
Kapitel 9 Prozessoren ......................................................................................... 142
Kapitel 10 Effekte .................................................................................................................................. 158
Kapitel 11 Mixing-Struktur .................................................................................................. 170
Kapitel 12 Audio-Interfaces und Konnektivitat ....................................................... 182
Kapitel 13 Gain-Struktur ...................................................................................................... 199
Kapitel 14 Gesang und Aufnahme ........................................................................... 206
Kapitel 15 Kicks und Percussion ................................................................................... 226
Kapitel 16 Die Komposition von Drumloops ........................................... 242Kapitel 17 Sounddesign I - die Theorie ............................................................... 254
Kapitel 18 Sounddesign II - Anwendung ......................................... 265
Kapitel 19 Formale Struktur ................................................................................................. 294
Kapitel 20 Trance ................................................................................................................................. 310
Kapitel 21 Dubstep .............................................................................................................................. 326
Kapitel 22 Ambient/Chill-out ................................................................................................ 338
Kapitel 23 Drum and Bass ................................................................................................................. 354
Kapitel 24 House ...................................................................................................................... 367
Kapitel 25 Techno ................................................................................................................................................ 386
Kapitel 26 Mixing-Theorie .......................................................................................................... 398
Kapitel 27 Mixing-Praxis .................................................................................................................... 411
Kapitel 28 Mastering .......................................................................................................................................... 432
Kapitel 29 Veroffentlichung und Promotion .............................................................................. 453
Kapitel 30 Die Perspektive einer DJane ................................................................................ 472
Anhang A Binar- und Hexadezimalsystem ..............................
Danksagungen ............................................. 7
Einleitung ............................................. 8
Kapitel 1 Musiktheorie Teil 1 - Oktaven, Skalen und Modi.......................................... 10
Kapitel 2 Musiktheorie Teil 2 - Akkorde und Harmonien...................................................... 24
Kapitel 3 Musiktheorie Teil 3 - Grundlagen des EDM-Rhythmus ........................ 50
Kapitel 4 Grundlagen der Elektronik und Klangerzeugung.............................. 61
Kapitel 5 MIDI, Audio und die Digital Audio-Workstation ........................................... 74
Kapitel 6 Synthesizer ............................................................................................................ 84
Kapitel 7 Sampler ........................................................................................................................... 110
Kapitel 8 Kompressoren ..................................................................................................................... 124
Kapitel 9 Prozessoren ......................................................................................... 142
Kapitel 10 Effekte .................................................................................................................................. 158
Kapitel 11 Mixing-Struktur .................................................................................................. 170
Kapitel 12 Audio-Interfaces und Konnektivitat ....................................................... 182
Kapitel 13 Gain-Struktur ...................................................................................................... 199
Kapitel 14 Gesang und Aufnahme ........................................................................... 206
Kapitel 15 Kicks und Percussion ................................................................................... 226
Kapitel 16 Die Komposition von Drumloops ........................................... 242Kapitel 17 Sounddesign I - die Theorie ............................................................... 254
Kapitel 18 Sounddesign II - Anwendung ......................................... 265
Kapitel 19 Formale Struktur ................................................................................................. 294
Kapitel 20 Trance ................................................................................................................................. 310
Kapitel 21 Dubstep .............................................................................................................................. 326
Kapitel 22 Ambient/Chill-out ................................................................................................ 338
Kapitel 23 Drum and Bass ................................................................................................................. 354
Kapitel 24 House ...................................................................................................................... 367
Kapitel 25 Techno ................................................................................................................................................ 386
Kapitel 26 Mixing-Theorie .......................................................................................................... 398
Kapitel 27 Mixing-Praxis .................................................................................................................... 411
Kapitel 28 Mastering .......................................................................................................................................... 432
Kapitel 29 Veroffentlichung und Promotion .............................................................................. 453
Kapitel 30 Die Perspektive einer DJane ................................................................................ 472
Anhang A Binar- und Hexadezimalsystem ..............................
1. The Secrets of Dance Music Production 2. Computers & Audio Interfaces 3.
Monitors & Headphones 4. The DAW 5. Designing and Connecting Your Studio 6.
Audio Engineering! 7. Aliasing and Latency 8. Hearing Protection 9. Music
Theory 10. Chords in Music 11. Harmonic Function 12. The Essentials of
Rhythm 13. Synthesis 14. The Art of Sampling 15. The Art of Sound Design:
Developing Listening Skills 16. The Art of Sound Design: Practical Skills
17. Modular Synthesis 18. Dynamics & Compression 19. The Art of Compression
20. Further Processing 21. Frequency Fundamentals 22. Effects 23. Mixing
Desk Structure 24. Metering, Levels and Gain 25. The Importance of Kick
Drums 26. Creating Drum Loops 27. Steps To Creating a Track 28. Recording
Technology 29. The Art of Recording 30. Working With Vocals & Samples 31.
Arranging Your Music 32. The Theory Behind Mixing 33. The Art of Mixing 34.
The Art of Mastering 35. The Art of the DJ
Monitors & Headphones 4. The DAW 5. Designing and Connecting Your Studio 6.
Audio Engineering! 7. Aliasing and Latency 8. Hearing Protection 9. Music
Theory 10. Chords in Music 11. Harmonic Function 12. The Essentials of
Rhythm 13. Synthesis 14. The Art of Sampling 15. The Art of Sound Design:
Developing Listening Skills 16. The Art of Sound Design: Practical Skills
17. Modular Synthesis 18. Dynamics & Compression 19. The Art of Compression
20. Further Processing 21. Frequency Fundamentals 22. Effects 23. Mixing
Desk Structure 24. Metering, Levels and Gain 25. The Importance of Kick
Drums 26. Creating Drum Loops 27. Steps To Creating a Track 28. Recording
Technology 29. The Art of Recording 30. Working With Vocals & Samples 31.
Arranging Your Music 32. The Theory Behind Mixing 33. The Art of Mixing 34.
The Art of Mastering 35. The Art of the DJ
Inhalt
Danksagungen ............................................. 7
Einleitung ............................................. 8
Kapitel 1 Musiktheorie Teil 1 - Oktaven, Skalen und Modi.......................................... 10
Kapitel 2 Musiktheorie Teil 2 - Akkorde und Harmonien...................................................... 24
Kapitel 3 Musiktheorie Teil 3 - Grundlagen des EDM-Rhythmus ........................ 50
Kapitel 4 Grundlagen der Elektronik und Klangerzeugung.............................. 61
Kapitel 5 MIDI, Audio und die Digital Audio-Workstation ........................................... 74
Kapitel 6 Synthesizer ............................................................................................................ 84
Kapitel 7 Sampler ........................................................................................................................... 110
Kapitel 8 Kompressoren ..................................................................................................................... 124
Kapitel 9 Prozessoren ......................................................................................... 142
Kapitel 10 Effekte .................................................................................................................................. 158
Kapitel 11 Mixing-Struktur .................................................................................................. 170
Kapitel 12 Audio-Interfaces und Konnektivitat ....................................................... 182
Kapitel 13 Gain-Struktur ...................................................................................................... 199
Kapitel 14 Gesang und Aufnahme ........................................................................... 206
Kapitel 15 Kicks und Percussion ................................................................................... 226
Kapitel 16 Die Komposition von Drumloops ........................................... 242Kapitel 17 Sounddesign I - die Theorie ............................................................... 254
Kapitel 18 Sounddesign II - Anwendung ......................................... 265
Kapitel 19 Formale Struktur ................................................................................................. 294
Kapitel 20 Trance ................................................................................................................................. 310
Kapitel 21 Dubstep .............................................................................................................................. 326
Kapitel 22 Ambient/Chill-out ................................................................................................ 338
Kapitel 23 Drum and Bass ................................................................................................................. 354
Kapitel 24 House ...................................................................................................................... 367
Kapitel 25 Techno ................................................................................................................................................ 386
Kapitel 26 Mixing-Theorie .......................................................................................................... 398
Kapitel 27 Mixing-Praxis .................................................................................................................... 411
Kapitel 28 Mastering .......................................................................................................................................... 432
Kapitel 29 Veroffentlichung und Promotion .............................................................................. 453
Kapitel 30 Die Perspektive einer DJane ................................................................................ 472
Anhang A Binar- und Hexadezimalsystem ..............................
Danksagungen ............................................. 7
Einleitung ............................................. 8
Kapitel 1 Musiktheorie Teil 1 - Oktaven, Skalen und Modi.......................................... 10
Kapitel 2 Musiktheorie Teil 2 - Akkorde und Harmonien...................................................... 24
Kapitel 3 Musiktheorie Teil 3 - Grundlagen des EDM-Rhythmus ........................ 50
Kapitel 4 Grundlagen der Elektronik und Klangerzeugung.............................. 61
Kapitel 5 MIDI, Audio und die Digital Audio-Workstation ........................................... 74
Kapitel 6 Synthesizer ............................................................................................................ 84
Kapitel 7 Sampler ........................................................................................................................... 110
Kapitel 8 Kompressoren ..................................................................................................................... 124
Kapitel 9 Prozessoren ......................................................................................... 142
Kapitel 10 Effekte .................................................................................................................................. 158
Kapitel 11 Mixing-Struktur .................................................................................................. 170
Kapitel 12 Audio-Interfaces und Konnektivitat ....................................................... 182
Kapitel 13 Gain-Struktur ...................................................................................................... 199
Kapitel 14 Gesang und Aufnahme ........................................................................... 206
Kapitel 15 Kicks und Percussion ................................................................................... 226
Kapitel 16 Die Komposition von Drumloops ........................................... 242Kapitel 17 Sounddesign I - die Theorie ............................................................... 254
Kapitel 18 Sounddesign II - Anwendung ......................................... 265
Kapitel 19 Formale Struktur ................................................................................................. 294
Kapitel 20 Trance ................................................................................................................................. 310
Kapitel 21 Dubstep .............................................................................................................................. 326
Kapitel 22 Ambient/Chill-out ................................................................................................ 338
Kapitel 23 Drum and Bass ................................................................................................................. 354
Kapitel 24 House ...................................................................................................................... 367
Kapitel 25 Techno ................................................................................................................................................ 386
Kapitel 26 Mixing-Theorie .......................................................................................................... 398
Kapitel 27 Mixing-Praxis .................................................................................................................... 411
Kapitel 28 Mastering .......................................................................................................................................... 432
Kapitel 29 Veroffentlichung und Promotion .............................................................................. 453
Kapitel 30 Die Perspektive einer DJane ................................................................................ 472
Anhang A Binar- und Hexadezimalsystem ..............................