Jane Foster

D.H.Lawrence

Symbolic Landscapes

• Broschiertes Buch

Produktbeschreibung

D.H. LAWRENCE: SYMBOLIC LANDSCAPES This book analyzes the rich discourses of mythology, symbolism, form, eroticism and landscape in D.H.Lawrence's fiction. Jane Foster traces Lawrence's symbols (tigers, suns, fish, peacocks) in many of the short stories, as well as the major novels. 'Spirit of place' was always important for Lawrence, and Foster's study investigates how Lawrence's concept of place informed his fiction, poetry and travel books. EXTRACT Lawrence uses many traditional poetic symbols - flowers, fire, the Moon - but there are some symbols that he has made very much his own: blood, rivers, the phallus, rainbow and the Lawrencean bestiary: horse, phoenix, peacock, dragon, snake, lion, tiger, rabbit and fish. The Lawrencean animals are the most alive of living symbols. There are many symbolic beasts in the poems too: fish, tortoises, snakes, eagles, elephants, mosquitoes, goats, etc. ¿¿¿¿¿ D.H. Lawrence probably uses more flowers in his art than any other comparable writer. The poems are full of flowers - irises, violets, roses, campions - all kinds of flowers, hundreds of flowers, blossoms and plants. He fills his books with flowers rather like the Early Netherlandish painters filled their paintings of the Madonna with heaps of flowers. Lawrence uses flower symbolism to underpin the action and the emotional states of his characters. Ursula, for instance, delights, as Connie Chatterley does, in flowers. They remind her of the beauty of the world when the pain of love becomes too much. In Women in Love, Ursula is transported, to use the old term, by some daisies floating in water: She went along the bank towards the sluice. The daisies were scattered broadcast on the pond, tiny radiant things, like an exaltation, points of exaltation here and there. Why did they move so strongly and mystically? ¿Look,¿ he said, ¿your boat of purple paper is escorting them, and they are a convoy of rafts. Some of the daisies came slowly towards her, hesitating, making a shy, bright little cotillion on the dark clear water. Their gay, bright candour moved her so much as they came near, that she was almost in tears. ¿Why are they so lovely?¿ she cried. ¿Why do I think them so lovely?¿ With illustrations, bibliography and notes.

Produktdetails

• Verlag: Crescent Moon Publishing
• 2. Auflage
• Seitenzahl: 140
• Erscheinungstermin: 1. Februar 2008
• Englisch
• Abmessung: 234mm x 156mm x 8mm
• Gewicht: 225g
• ISBN-13: 9781861711472
• ISBN-10: 1861711476
• Artikelnr.: 23538372

Autorenporträt

Jane Foster was born in New Orleans. She grew up there with a taste for delicious food and friendly people, and then life took her to New York for thirty-three years. There she studied English literature and art history at Finch College, and after graduating with honors, she worked at Sotheby's as assistant to Chairman John Marion. Later she worked with the famed jeweler, Fred Leighton, and then opened her own jewelry design business. She is a passionate horticulturist, and two of her gardens are included in the Smithsonian Archives of American Gardens. After moving to Florida, for nearly two decades Jane served on the board of the Hanley Center, an alcoholism and substance abuse treatment center in south Florida. In 2018, she won the Jessica Cosgrave Award for lifetime achievement from Finch College. Jane has three children, and currently enjoys the best of all worlds, dividing her time between Florida and France. Jane has written five other novels. Her first novel, Below Sea Level, published in 2013, won an Illumination Book Award. Her second novel, Sliding, was a finalist for the Eric Hoffer Award. Her third novel, Boulevard Beauséjour, written with Anne Yelland, was nominated for the Book Excellence Award. Her fourth novel, Careless, published in 2019, won the Book Excellence Award. Her latest novel, Zelda Blair, was recently published by Palmetto Publishing.