Curatorial Challenges investigates the challenges faced by curators and explores the practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. It provides new research and perspectives on the curatorial process and bridges the gap between theoretical and academic museum studies and practices.
Curatorial Challenges investigates the challenges faced by curators and explores the practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. It provides new research and perspectives on the curatorial process and bridges the gap between theoretical and academic museum studies and practices.
Malene Vest Hansen is Associate Professor of Art History at the University of Copenhagen. Anne Folke Henningsen is Associate Professor of Ethnology at the University of Copenhagen. Anne Gregersen is Curator at the J.F. Willumsens Museum and a Postdoctoral Fellow at the University of Copenhagen.
Inhaltsangabe
List of Figures List of contributors Introduction: Thinking and Doing Exhibitions Anne Folke Henningsen, Anne Gregersen, and Malene Vest Hansen Part I. Curating within the Changing Role of Museums as Bildung Institutions 1. Curatorship as Bildungsroman: Or, From Hamlet to Hjelmslev Donald Preziosi 2. Curating the Nude in Istanbul: Some Curatorial Challenges Ahu Antmen 3. Curating the Dead Body between Medicine and Culture Karin Tybjerg 4. Fashion Curation: Unpacking a New Discipline and Practice Marie Riegels Melchior 5. Exhibition Addresses: The Production of Publics in Exhibitions on Colonial History Mathias Danbolt 6. Multi-Sited Curating as a Critical Mode of Knowledge Production Sabine Dahl Nielsen Part II - Exhibitions and/as Research 7. Curating and Research: An Uneasy Alliance Simon Sheikh 8. Exhibitions as Research, Curator as Distraction Peter Bjerregaard 9. Curating a Mild Apocalypse. Researching Anthropocene Ecologies through Analytical Figures Nathalia Brichet and Frida Hastrup 10. Curating experimental entanglements Adam Bencard, Louise Whiteley and Caroline Heje Thon 11. The forgotten and the forgettable: the making of The World Goes Pop and Other Stories Flavia Frigeri 12. Looters, Smugglers, and Collectors: Rethinking Models of Ownership Research and How to Mediate It through the Form of the Exhibition Tone Hansen Part III - Revisiting the Past and Challenging Canons 13. Multiple Modernisms: Curating the Postwar Era for the Present Kristian Handberg 14. Contested Paradise: Exhibiting Images from the Former Danish West Indies Mette Kia Krabbe Meyer 15. Against the Grain of Neutralization: Exhibiting the Documentary as a Curatorial Production of Subjective Knowledge Susanne Neubauer 16. Innovative, Polemical, Dogmatic: The Case of Soviet Experimental Museum Displays in 1930-1933 Masha Chlenova Concluding remarks Anne Folke Henningsen, Anne Gregersen and Malene Vest Hansen Index
List of Figures List of contributors Introduction: Thinking and Doing Exhibitions Anne Folke Henningsen, Anne Gregersen, and Malene Vest Hansen Part I. Curating within the Changing Role of Museums as Bildung Institutions 1. Curatorship as Bildungsroman: Or, From Hamlet to Hjelmslev Donald Preziosi 2. Curating the Nude in Istanbul: Some Curatorial Challenges Ahu Antmen 3. Curating the Dead Body between Medicine and Culture Karin Tybjerg 4. Fashion Curation: Unpacking a New Discipline and Practice Marie Riegels Melchior 5. Exhibition Addresses: The Production of Publics in Exhibitions on Colonial History Mathias Danbolt 6. Multi-Sited Curating as a Critical Mode of Knowledge Production Sabine Dahl Nielsen Part II - Exhibitions and/as Research 7. Curating and Research: An Uneasy Alliance Simon Sheikh 8. Exhibitions as Research, Curator as Distraction Peter Bjerregaard 9. Curating a Mild Apocalypse. Researching Anthropocene Ecologies through Analytical Figures Nathalia Brichet and Frida Hastrup 10. Curating experimental entanglements Adam Bencard, Louise Whiteley and Caroline Heje Thon 11. The forgotten and the forgettable: the making of The World Goes Pop and Other Stories Flavia Frigeri 12. Looters, Smugglers, and Collectors: Rethinking Models of Ownership Research and How to Mediate It through the Form of the Exhibition Tone Hansen Part III - Revisiting the Past and Challenging Canons 13. Multiple Modernisms: Curating the Postwar Era for the Present Kristian Handberg 14. Contested Paradise: Exhibiting Images from the Former Danish West Indies Mette Kia Krabbe Meyer 15. Against the Grain of Neutralization: Exhibiting the Documentary as a Curatorial Production of Subjective Knowledge Susanne Neubauer 16. Innovative, Polemical, Dogmatic: The Case of Soviet Experimental Museum Displays in 1930-1933 Masha Chlenova Concluding remarks Anne Folke Henningsen, Anne Gregersen and Malene Vest Hansen Index
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