Cultural Practices of Victimhood
Herausgeber: Hoondert, Martin; Arfman, William; Mutsaers, Paul
Cultural Practices of Victimhood
Herausgeber: Hoondert, Martin; Arfman, William; Mutsaers, Paul
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This book aims to set the agenda for a cultural study of victimhood. It reflects on the 'cultural turn' in criminology, and in particular victimology, and seeks to open up discussions about a 'victimological turn' in cultural studies as well.
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This book aims to set the agenda for a cultural study of victimhood. It reflects on the 'cultural turn' in criminology, and in particular victimology, and seeks to open up discussions about a 'victimological turn' in cultural studies as well.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 258
- Erscheinungstermin: 31. März 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 381g
- ISBN-13: 9780367483487
- ISBN-10: 0367483483
- Artikelnr.: 60010217
- Verlag: CRC Press
- Seitenzahl: 258
- Erscheinungstermin: 31. März 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 381g
- ISBN-13: 9780367483487
- ISBN-10: 0367483483
- Artikelnr.: 60010217
Martin Hoondert studied musicology and theology and is specialized in music and rituals. Since 2007 he has been(associate) professor of Music, Religion and Ritual at the Department of Culture Studies of Tilburg University. His research focuses on 'music and death' and 'practices of memorialization'. Paul Mutsaers studied cultural anthropology at Utrecht University and works as a police anthropologist for the Department of Culture Studies, Tilburg University, where he is employed as a postdoctoral researcher. He has previously worked at the Police Academy of the Netherlands, where he carried out his PhD research on police discrimination. William Arfman has a background in the archaeology and anthropology of Central America, as well as the comparative study of religion. Currently, he is a postdoctoral associate and lecturer in the field of ritual studies at Tilburg University. Favouring an interdisciplinary approach, his main research interests are late modern ritual dynamics, ritual innovation and traditionality, ritual and (community) art, and ritual commemoration.
Introduction: Cultural practices of victimhood
Martin Hoondert
Paul Mutsaers and William Arfman
Part I: Ritual Practices. 1. Srebrenica: Conflict and ritual complexities
Martin Hoondert
2. A monument for boat refugees: Ritual and the art of liminality
William Arfman
3. Refugee rituals: Exploring ritual repertoire of victimhood
Paul Post
Part II: Artistic Practices. 4. Representing the experience of victims at the Berlin Wall Memorial Museum
David Clarke
5. Victimhood in reverse: Art in the age of apology
Lieke Wijnia
6. Basque Country competing memories at the local
regional and state levels: Promoting public artistic events versus public institutional policies
Gema Varona
7. Who speaks for the victim? Experiences of migrants and refugees in Jenny Erpenbeck's novel Go
went
gone and Mikhail Shishkin's Maidenhair
Odile Heynders
Part III: Media Practices. 8. #BlackLivesMatter: Understanding anti-police protest as a cultural practice
Paul Mutsaers
9. Online-offline modes of identity and community: Elliot Rodger's twisted world of masculine victimhood
Jan Blommaert
10. The Cologne translation note: Victims and perpetrators
Sjaak Kroon
Epilogue: Imagining cultural victimology
Antony Pemberton
Martin Hoondert
Paul Mutsaers and William Arfman
Part I: Ritual Practices. 1. Srebrenica: Conflict and ritual complexities
Martin Hoondert
2. A monument for boat refugees: Ritual and the art of liminality
William Arfman
3. Refugee rituals: Exploring ritual repertoire of victimhood
Paul Post
Part II: Artistic Practices. 4. Representing the experience of victims at the Berlin Wall Memorial Museum
David Clarke
5. Victimhood in reverse: Art in the age of apology
Lieke Wijnia
6. Basque Country competing memories at the local
regional and state levels: Promoting public artistic events versus public institutional policies
Gema Varona
7. Who speaks for the victim? Experiences of migrants and refugees in Jenny Erpenbeck's novel Go
went
gone and Mikhail Shishkin's Maidenhair
Odile Heynders
Part III: Media Practices. 8. #BlackLivesMatter: Understanding anti-police protest as a cultural practice
Paul Mutsaers
9. Online-offline modes of identity and community: Elliot Rodger's twisted world of masculine victimhood
Jan Blommaert
10. The Cologne translation note: Victims and perpetrators
Sjaak Kroon
Epilogue: Imagining cultural victimology
Antony Pemberton
Introduction: Cultural practices of victimhood
Martin Hoondert
Paul Mutsaers and William Arfman
Part I: Ritual Practices. 1. Srebrenica: Conflict and ritual complexities
Martin Hoondert
2. A monument for boat refugees: Ritual and the art of liminality
William Arfman
3. Refugee rituals: Exploring ritual repertoire of victimhood
Paul Post
Part II: Artistic Practices. 4. Representing the experience of victims at the Berlin Wall Memorial Museum
David Clarke
5. Victimhood in reverse: Art in the age of apology
Lieke Wijnia
6. Basque Country competing memories at the local
regional and state levels: Promoting public artistic events versus public institutional policies
Gema Varona
7. Who speaks for the victim? Experiences of migrants and refugees in Jenny Erpenbeck's novel Go
went
gone and Mikhail Shishkin's Maidenhair
Odile Heynders
Part III: Media Practices. 8. #BlackLivesMatter: Understanding anti-police protest as a cultural practice
Paul Mutsaers
9. Online-offline modes of identity and community: Elliot Rodger's twisted world of masculine victimhood
Jan Blommaert
10. The Cologne translation note: Victims and perpetrators
Sjaak Kroon
Epilogue: Imagining cultural victimology
Antony Pemberton
Martin Hoondert
Paul Mutsaers and William Arfman
Part I: Ritual Practices. 1. Srebrenica: Conflict and ritual complexities
Martin Hoondert
2. A monument for boat refugees: Ritual and the art of liminality
William Arfman
3. Refugee rituals: Exploring ritual repertoire of victimhood
Paul Post
Part II: Artistic Practices. 4. Representing the experience of victims at the Berlin Wall Memorial Museum
David Clarke
5. Victimhood in reverse: Art in the age of apology
Lieke Wijnia
6. Basque Country competing memories at the local
regional and state levels: Promoting public artistic events versus public institutional policies
Gema Varona
7. Who speaks for the victim? Experiences of migrants and refugees in Jenny Erpenbeck's novel Go
went
gone and Mikhail Shishkin's Maidenhair
Odile Heynders
Part III: Media Practices. 8. #BlackLivesMatter: Understanding anti-police protest as a cultural practice
Paul Mutsaers
9. Online-offline modes of identity and community: Elliot Rodger's twisted world of masculine victimhood
Jan Blommaert
10. The Cologne translation note: Victims and perpetrators
Sjaak Kroon
Epilogue: Imagining cultural victimology
Antony Pemberton