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  • Broschiertes Buch

As Volume One in the Sancta Crux/Halig Rod series, this collection of new research offers fascinating glimpses into how the way the cross, the central image of Christianity in the Anglo-Saxon period, was textualized, reified, visualized, and performed. The cross in early medieval England was so ubiquitous it became invisible to the modern eye, and yet it played an innovative role in Anglo-Saxon culture, medicine, and popular practice. It represented one of the most powerful relics, emblems, and images in medieval culture because it could be duplicated in many forms and was accessible to every…mehr

Produktbeschreibung
As Volume One in the Sancta Crux/Halig Rod series, this collection of new research offers fascinating glimpses into how the way the cross, the central image of Christianity in the Anglo-Saxon period, was textualized, reified, visualized, and performed. The cross in early medieval England was so ubiquitous it became invisible to the modern eye, and yet it played an innovative role in Anglo-Saxon culture, medicine, and popular practice. It represented one of the most powerful relics, emblems, and images in medieval culture because it could be duplicated in many forms and was accessible to every layer of society. The volume speaks to critical issues of cultural interpretation for Anglo-Saxonists, medievalists of all disciplines, and those interested in cultural studies in general.
Autorenporträt
Karen Louise Jolly is Associate Professor in the Department of History at the University of Hawaii at Manoa. She currently has a book in progress titled Pastoral Care and Liturgical Experimentation in Tenth Century Northumbria: Aldred's Additions to the Durham Ritual. Catherine E. Karkov is Professor at the School of Fine Art, Art History and Cultural Studies at the University of Leeds in England. Sarah Larratt Keefer is a professor at Trent University in Ontario, Canada. Her primary area of interest lies in Anglo-Saxon England, between AD 600 and 1100.