Critical Approaches to the Films of Robert Rodriguez
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This companion volume to Frederick Luis Aldamaâ s The Cinema of Robert Rodriguez brings together leading scholars who take a variety of theoretical and critical perspectives in analyzing the filmmaking of todayâ s most prolific and significant Latino direct
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This companion volume to Frederick Luis Aldamaâ s The Cinema of Robert Rodriguez brings together leading scholars who take a variety of theoretical and critical perspectives in analyzing the filmmaking of todayâ s most prolific and significant Latino direct
Produktdetails
- Produktdetails
- Verlag: University of Texas Press
- Seitenzahl: 264
- Erscheinungstermin: 15. März 2015
- Englisch
- Abmessung: 154mm x 235mm x 22mm
- Gewicht: 408g
- ISBN-13: 9781477302408
- ISBN-10: 1477302409
- Artikelnr.: 41644395
- Verlag: University of Texas Press
- Seitenzahl: 264
- Erscheinungstermin: 15. März 2015
- Englisch
- Abmessung: 154mm x 235mm x 22mm
- Gewicht: 408g
- ISBN-13: 9781477302408
- ISBN-10: 1477302409
- Artikelnr.: 41644395
Frederick Luis Aldama is Arts & Humanities Distinguished Professor of English and University Distinguished Scholar at the Ohio State University, where he founded and directs LASER/Latino and Latin American Space for Enrichment and Research. His many books include Analyzing World Fiction: New Horizons in Narrative Theory, Your Brain on Latino Comics: From Gus Arriola to Los Bros Hernandez, and Toward a Cognitive Theory of Narrative Acts.
Rodriguez's Cinema of Possibilities: An Introduction (Frederick Luis
Aldama)
Matters of Mind and Media
One. From El Mariachi till Spy Kids? A Cognitive Approach (Sue J. Kim)
Two. You've Come a Long Way, Booger Breath: Juni Cortez Grows Up in the Spy
Kids Films (Phillip Serrato)
Narrative Theory, Cognitive Science, and Sin City: A Case Study
Three. Painterly Cinema: Three Minutes of Sin City (Patrick Colm Hogan)
Four. Sin City, Style, and the Status of Noir (Emily R. Anderson)
Five. Sin City, Hybrid Media, and a Cognitive Narratology of Multimodality
(Erin E. Eighan)
Aesthetic and Ontological Border Crossings and Borderlands
Six. Intertextploitation and Post-Post-Latinidad in Planet Terror
(Christopher González)
Seven. Planet Terror Redux: Miscegenation and Family Apocalypse (Enrique
García)
Eight. The Border Crossed Us: Machete and the Latino Threat Narrative
(Zachary Ingle)
Nine. The Development of Social Minds in the "Mexico Trilogy" (James J.
Donahue)
It's a Wrap
Ten. Tarantino & Rodriguez: A Paradigm (Ilan Stavans)
Eleven. Five Amigos Crisscross Borders on a Road Trip with Rodriguez
(Frederick Luis Aldama, Samuel Saldívar, Christopher González, Sue J. Kim,
and Camilla Fojas)
Afterword. Postproduction in Robert Rodriguez's "Post-Post-Latinidad"
(Alvaro Rodriguez)
Works Cited
Notes on Contributors
Index
Aldama)
Matters of Mind and Media
One. From El Mariachi till Spy Kids? A Cognitive Approach (Sue J. Kim)
Two. You've Come a Long Way, Booger Breath: Juni Cortez Grows Up in the Spy
Kids Films (Phillip Serrato)
Narrative Theory, Cognitive Science, and Sin City: A Case Study
Three. Painterly Cinema: Three Minutes of Sin City (Patrick Colm Hogan)
Four. Sin City, Style, and the Status of Noir (Emily R. Anderson)
Five. Sin City, Hybrid Media, and a Cognitive Narratology of Multimodality
(Erin E. Eighan)
Aesthetic and Ontological Border Crossings and Borderlands
Six. Intertextploitation and Post-Post-Latinidad in Planet Terror
(Christopher González)
Seven. Planet Terror Redux: Miscegenation and Family Apocalypse (Enrique
García)
Eight. The Border Crossed Us: Machete and the Latino Threat Narrative
(Zachary Ingle)
Nine. The Development of Social Minds in the "Mexico Trilogy" (James J.
Donahue)
It's a Wrap
Ten. Tarantino & Rodriguez: A Paradigm (Ilan Stavans)
Eleven. Five Amigos Crisscross Borders on a Road Trip with Rodriguez
(Frederick Luis Aldama, Samuel Saldívar, Christopher González, Sue J. Kim,
and Camilla Fojas)
Afterword. Postproduction in Robert Rodriguez's "Post-Post-Latinidad"
(Alvaro Rodriguez)
Works Cited
Notes on Contributors
Index
Rodriguez's Cinema of Possibilities: An Introduction (Frederick Luis
Aldama)
Matters of Mind and Media
One. From El Mariachi till Spy Kids? A Cognitive Approach (Sue J. Kim)
Two. You've Come a Long Way, Booger Breath: Juni Cortez Grows Up in the Spy
Kids Films (Phillip Serrato)
Narrative Theory, Cognitive Science, and Sin City: A Case Study
Three. Painterly Cinema: Three Minutes of Sin City (Patrick Colm Hogan)
Four. Sin City, Style, and the Status of Noir (Emily R. Anderson)
Five. Sin City, Hybrid Media, and a Cognitive Narratology of Multimodality
(Erin E. Eighan)
Aesthetic and Ontological Border Crossings and Borderlands
Six. Intertextploitation and Post-Post-Latinidad in Planet Terror
(Christopher González)
Seven. Planet Terror Redux: Miscegenation and Family Apocalypse (Enrique
García)
Eight. The Border Crossed Us: Machete and the Latino Threat Narrative
(Zachary Ingle)
Nine. The Development of Social Minds in the "Mexico Trilogy" (James J.
Donahue)
It's a Wrap
Ten. Tarantino & Rodriguez: A Paradigm (Ilan Stavans)
Eleven. Five Amigos Crisscross Borders on a Road Trip with Rodriguez
(Frederick Luis Aldama, Samuel Saldívar, Christopher González, Sue J. Kim,
and Camilla Fojas)
Afterword. Postproduction in Robert Rodriguez's "Post-Post-Latinidad"
(Alvaro Rodriguez)
Works Cited
Notes on Contributors
Index
Aldama)
Matters of Mind and Media
One. From El Mariachi till Spy Kids? A Cognitive Approach (Sue J. Kim)
Two. You've Come a Long Way, Booger Breath: Juni Cortez Grows Up in the Spy
Kids Films (Phillip Serrato)
Narrative Theory, Cognitive Science, and Sin City: A Case Study
Three. Painterly Cinema: Three Minutes of Sin City (Patrick Colm Hogan)
Four. Sin City, Style, and the Status of Noir (Emily R. Anderson)
Five. Sin City, Hybrid Media, and a Cognitive Narratology of Multimodality
(Erin E. Eighan)
Aesthetic and Ontological Border Crossings and Borderlands
Six. Intertextploitation and Post-Post-Latinidad in Planet Terror
(Christopher González)
Seven. Planet Terror Redux: Miscegenation and Family Apocalypse (Enrique
García)
Eight. The Border Crossed Us: Machete and the Latino Threat Narrative
(Zachary Ingle)
Nine. The Development of Social Minds in the "Mexico Trilogy" (James J.
Donahue)
It's a Wrap
Ten. Tarantino & Rodriguez: A Paradigm (Ilan Stavans)
Eleven. Five Amigos Crisscross Borders on a Road Trip with Rodriguez
(Frederick Luis Aldama, Samuel Saldívar, Christopher González, Sue J. Kim,
and Camilla Fojas)
Afterword. Postproduction in Robert Rodriguez's "Post-Post-Latinidad"
(Alvaro Rodriguez)
Works Cited
Notes on Contributors
Index