Looks at Argentine fiction film of the past decade (1995-2005) with a focus on its engagement with the major themes of the recent Argentine crisis: crime, money, migrations and social exclusion.
Looks at Argentine fiction film of the past decade (1995-2005) with a focus on its engagement with the major themes of the recent Argentine crisis: crime, money, migrations and social exclusion.
Joanna Page is a lecturer in Latin American Cultural Studies at the University of Cambridge.
Inhaltsangabe
Acknowledgments ix Introduction 1 1. Nation, State, and Filmmaking in Contemporary Argentina 9 2. New Argentine Cinema and the Production of Social Knowledge 34 3. Labor, Bodies, and Circulation 57 4. Crime and Capitalism in Genre Cinema 81 5. Nation, Migration, and Globalization 110 6. Memory and Subjectivity 152 7. The Politics of Private Space 180 Conclusion 195 Notes 201 Bibliography 217 Index 227
Acknowledgments ix Introduction 1 1. Nation, State, and Filmmaking in Contemporary Argentina 9 2. New Argentine Cinema and the Production of Social Knowledge 34 3. Labor, Bodies, and Circulation 57 4. Crime and Capitalism in Genre Cinema 81 5. Nation, Migration, and Globalization 110 6. Memory and Subjectivity 152 7. The Politics of Private Space 180 Conclusion 195 Notes 201 Bibliography 217 Index 227
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