By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in this book aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination.
By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in this book aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination.
ALISON DONNELL is a professor of modern literatures in English and head of the School of Literature, Creative Writing, and Drama at the University of East Anglia in Norwich, England.
Inhaltsangabe
Introduction: Undoing Heteronormativity and the Erotics of Creolization 1 The Queer Creolized Caribbean 2 Creolizing Heterosexuality: Curdella Forbes's "A Permanent Freedom" and Shani Mootoo's Valmiki's Daughter 3 Caribbean Freedoms and Queering Homonormativity: Andrew Salkey's Escape to an Autumn Pavement 4 Queering Caribbean Homophobia: Non-heteronormative Hypermasculinity in Marlon James's A Brief History of Seven Killings and Junot Díaz's The Brief Wondrous Life of Oscar Wao 5 Imagining Impossible Possibilities: Shani Mootoo's Moving Forward Sideways Like a Crab and Selected Writings by Thomas Glave Conclusion Acknowledgments Notes References Index
Introduction: Undoing Heteronormativity and the Erotics of Creolization 1 The Queer Creolized Caribbean 2 Creolizing Heterosexuality: Curdella Forbes's "A Permanent Freedom" and Shani Mootoo's Valmiki's Daughter 3 Caribbean Freedoms and Queering Homonormativity: Andrew Salkey's Escape to an Autumn Pavement 4 Queering Caribbean Homophobia: Non-heteronormative Hypermasculinity in Marlon James's A Brief History of Seven Killings and Junot Díaz's The Brief Wondrous Life of Oscar Wao 5 Imagining Impossible Possibilities: Shani Mootoo's Moving Forward Sideways Like a Crab and Selected Writings by Thomas Glave Conclusion Acknowledgments Notes References Index
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