Paul Jeffcutt / Andy Pratt (eds.)
Creativity, Innovation and the Cultural Economy
Herausgeber: Pratt, Andy C; Jeffcutt, Paul
Paul Jeffcutt / Andy Pratt (eds.)
Creativity, Innovation and the Cultural Economy
Herausgeber: Pratt, Andy C; Jeffcutt, Paul
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This collection brings together international experts from different continents to examine creativity and innovation in the cultural economy. In doing so, the collection provides a unique contemporary resource for researchers and advanced students.
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This collection brings together international experts from different continents to examine creativity and innovation in the cultural economy. In doing so, the collection provides a unique contemporary resource for researchers and advanced students.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 304
- Erscheinungstermin: 5. März 2009
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 603g
- ISBN-13: 9780415419758
- ISBN-10: 0415419751
- Artikelnr.: 31082867
- Verlag: Taylor & Francis
- Seitenzahl: 304
- Erscheinungstermin: 5. März 2009
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 603g
- ISBN-13: 9780415419758
- ISBN-10: 0415419751
- Artikelnr.: 31082867
Andy C. Pratt has been researching and writing about the cultural and creative economy for more than a decade. He has advised policy makers at urban, national and international levels: most recently UNCTAD and UNESCO. Andy is a Reader in Urban Cultural Economy in the Department of Geography and Environment, and Director of the Urban Research Centre at the London School of Economics. Paul Jeffcutt is Professor of Management Knowledge and the founding Director of Queen's University's interdisciplinary Centre for Creative Industry. He is a published poet and has been elected to the Academy of Social Sciences (AcSS) and elected Fellow of the Royal Society of Arts, (FRSA).
1.Introduction: Creativity, Innovation and the Cultural Economy: Snake Oil
for the Twenty-first Century? Andy C Pratt and Paul Jeffcutt
2.Advertising: a. Relocating Creativity in Advertising: From Aesthetic
Specialisation to Strategic Integration Chris Bilton b. Provincial
Parvenus: the Subaltern Sensibility of London Advertising creatives Sean
Nixon 3.Music: a. The Digitalisation of Music David Hesmondhalgh b. On
music as a Creative Industry Simon Frith, Martin Cloonan and John
Williamson 4. Film and TV: a. Creativity in Context: Content, Cost, Chance,
and Collection in the Organization of the Film Industry Mark Lorenzen b.
The Governance of Innovation in the Film and Television Industry: a case
study of London, UK Andy C Pratt & Galina Gornostaeva 5. New Media: a.
Cultural Production in the Transnational City. A Study of New Media in
Vancouver Tom Hutton b. Creative Biographies in New Media: Social
Innovation in Web work Rosalind Gill 6. Design: a. Situating the Design
Sector: Insights from the Case of Montréal, Canada. Debborah Leslie and
Norma Rantisi b. Creativity and Innovation in the Scandinavian Design
Industry: Designed in Stockholm Dominic Power 7. Museums/Visual
Arts/Performance: a. Creativity and Innovation in the Cultural Economy:
Museums, Galleries and the Visual Arts Sara Selwood b. Does Hamlet have to
be Naked? Art between Tradition and Innovation in German Theatres Doris
Eikhof 8. Conclusion Andy C Pratt and Paul Jeffcutt
for the Twenty-first Century? Andy C Pratt and Paul Jeffcutt
2.Advertising: a. Relocating Creativity in Advertising: From Aesthetic
Specialisation to Strategic Integration Chris Bilton b. Provincial
Parvenus: the Subaltern Sensibility of London Advertising creatives Sean
Nixon 3.Music: a. The Digitalisation of Music David Hesmondhalgh b. On
music as a Creative Industry Simon Frith, Martin Cloonan and John
Williamson 4. Film and TV: a. Creativity in Context: Content, Cost, Chance,
and Collection in the Organization of the Film Industry Mark Lorenzen b.
The Governance of Innovation in the Film and Television Industry: a case
study of London, UK Andy C Pratt & Galina Gornostaeva 5. New Media: a.
Cultural Production in the Transnational City. A Study of New Media in
Vancouver Tom Hutton b. Creative Biographies in New Media: Social
Innovation in Web work Rosalind Gill 6. Design: a. Situating the Design
Sector: Insights from the Case of Montréal, Canada. Debborah Leslie and
Norma Rantisi b. Creativity and Innovation in the Scandinavian Design
Industry: Designed in Stockholm Dominic Power 7. Museums/Visual
Arts/Performance: a. Creativity and Innovation in the Cultural Economy:
Museums, Galleries and the Visual Arts Sara Selwood b. Does Hamlet have to
be Naked? Art between Tradition and Innovation in German Theatres Doris
Eikhof 8. Conclusion Andy C Pratt and Paul Jeffcutt
1.Introduction: Creativity, Innovation and the Cultural Economy: Snake Oil
for the Twenty-first Century? Andy C Pratt and Paul Jeffcutt
2.Advertising: a. Relocating Creativity in Advertising: From Aesthetic
Specialisation to Strategic Integration Chris Bilton b. Provincial
Parvenus: the Subaltern Sensibility of London Advertising creatives Sean
Nixon 3.Music: a. The Digitalisation of Music David Hesmondhalgh b. On
music as a Creative Industry Simon Frith, Martin Cloonan and John
Williamson 4. Film and TV: a. Creativity in Context: Content, Cost, Chance,
and Collection in the Organization of the Film Industry Mark Lorenzen b.
The Governance of Innovation in the Film and Television Industry: a case
study of London, UK Andy C Pratt & Galina Gornostaeva 5. New Media: a.
Cultural Production in the Transnational City. A Study of New Media in
Vancouver Tom Hutton b. Creative Biographies in New Media: Social
Innovation in Web work Rosalind Gill 6. Design: a. Situating the Design
Sector: Insights from the Case of Montréal, Canada. Debborah Leslie and
Norma Rantisi b. Creativity and Innovation in the Scandinavian Design
Industry: Designed in Stockholm Dominic Power 7. Museums/Visual
Arts/Performance: a. Creativity and Innovation in the Cultural Economy:
Museums, Galleries and the Visual Arts Sara Selwood b. Does Hamlet have to
be Naked? Art between Tradition and Innovation in German Theatres Doris
Eikhof 8. Conclusion Andy C Pratt and Paul Jeffcutt
for the Twenty-first Century? Andy C Pratt and Paul Jeffcutt
2.Advertising: a. Relocating Creativity in Advertising: From Aesthetic
Specialisation to Strategic Integration Chris Bilton b. Provincial
Parvenus: the Subaltern Sensibility of London Advertising creatives Sean
Nixon 3.Music: a. The Digitalisation of Music David Hesmondhalgh b. On
music as a Creative Industry Simon Frith, Martin Cloonan and John
Williamson 4. Film and TV: a. Creativity in Context: Content, Cost, Chance,
and Collection in the Organization of the Film Industry Mark Lorenzen b.
The Governance of Innovation in the Film and Television Industry: a case
study of London, UK Andy C Pratt & Galina Gornostaeva 5. New Media: a.
Cultural Production in the Transnational City. A Study of New Media in
Vancouver Tom Hutton b. Creative Biographies in New Media: Social
Innovation in Web work Rosalind Gill 6. Design: a. Situating the Design
Sector: Insights from the Case of Montréal, Canada. Debborah Leslie and
Norma Rantisi b. Creativity and Innovation in the Scandinavian Design
Industry: Designed in Stockholm Dominic Power 7. Museums/Visual
Arts/Performance: a. Creativity and Innovation in the Cultural Economy:
Museums, Galleries and the Visual Arts Sara Selwood b. Does Hamlet have to
be Naked? Art between Tradition and Innovation in German Theatres Doris
Eikhof 8. Conclusion Andy C Pratt and Paul Jeffcutt