Creativity and Cultural Improvisation
Herausgeber: Hallam, Elizabeth; Ingold, Tim
Creativity and Cultural Improvisation
Herausgeber: Hallam, Elizabeth; Ingold, Tim
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There is no prepared script for social and cultural life. People work it out as they go along. Creativity and Cultural Improvisation casts fresh, anthropological eyes on the cultural sites of creativity that form part of our social matrix.
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There is no prepared script for social and cultural life. People work it out as they go along. Creativity and Cultural Improvisation casts fresh, anthropological eyes on the cultural sites of creativity that form part of our social matrix.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 348
- Erscheinungstermin: 1. April 2007
- Englisch
- Abmessung: 235mm x 164mm x 24mm
- Gewicht: 649g
- ISBN-13: 9781845205263
- ISBN-10: 184520526X
- Artikelnr.: 22535274
- Verlag: Bloomsbury Academic
- Seitenzahl: 348
- Erscheinungstermin: 1. April 2007
- Englisch
- Abmessung: 235mm x 164mm x 24mm
- Gewicht: 649g
- ISBN-13: 9781845205263
- ISBN-10: 184520526X
- Artikelnr.: 22535274
Elizabeth Hallam is Senior Lecturer, Department of Anthropology, University of Aberdeen. Tim Ingold is Professor, Department of Anthropology, University of Aberdeen.
1. Creativity and Cultural Improvisation: An Introduction Elizabeth Hallam and Tim Ingold
Department of Anthropology
University of Aberdeen2. Improvisation and the Art of Making Things StickKarin Barber
Centre of West African Studies
University of BirminghamI. Art
Intellect and the Attribution of Creative AgencySection IntroductionTim Ingold
Department of Anthropology
University of Aberdeen 3. Design
Innovation and Agency in Pattern ConstructionAmar Mall
Department of Anthropology
University College London 4. Creating or Performing Words VisuallyFuyubi Nakamura
Institute of Social and Cultural Anthropology
University of Oxford5.Creativity
Subjectivity and the Dynamic of Possessive IndividualismJames Leach
King's College
University of Cambridge II. Creative Appropriations and Institutional Contexts Section IntroductionMelissa Demian
Department of Anthropology
Emory University
and Sari Wastell
Department of Anthropology
Goldsmiths College
London6. Creating Ethnography: Differing Notions of Creativity in Anthropological KnowledgeProduction
a Maori/European ExampleElizabeth Cory-Pearce
Department of Anthropology
Goldsmiths College
London7. Just Like the Greek Polis: Creativity
Authenticity and Political Legitimacy in KabyliaJudith Scheele
Institute of Social and Cultural Anthropology
University of Oxford8. 'You Knit me in my Mother's Womb': Creativity and Creation in English BaptistUnderstandings of Assisted and Assisting ConceptionJeanette Edwards
Social Anthropology
University of ManchesterIII. Creativity and the Passage of Time: History
Tradition and the Life-CourseSection IntroductionSharon Macdonald
Department of Sociological Studies
University of Sheffield
and Eric Hirsch
Department of Human Sciences
Brunel University9. Tradition and the Individual Talent: T.S. Eliot for AnthropologistsFelicia Hughes-Freeland
School of Social Sciences
University Wales
Swansea10. Back to the Future: Temporality
Narrative and the Ageing SelfCatherine Degnen
School of Geography
Politics and Sociology
University of Newcastle11. Performing the World: The Imaginative Link between Action and History Kirsten Hastrup
Department of Anthropology
University of CopenhagenIV. The Creativity of Anthropological Scholarship Section introductionMark Harris
Department of Social Anthropology
University of St Andrews and Clara Mafra
Anthropology
State University of Rio de Janeiro12. From Documenting Culture to Experimenting with Cultural Phenomena: Using Fine ArtPedagogies with Visual Anthropology StudentsAmanda Ravetz
MIRIAD
Manchester Metropolitan University13. Creativity in Anthropology and Fiction WritingTrevor Stack
Hispanic Studies
University of Aberdeen
and Robey Callahan
St Austell
Cornwall14. 'Radio Elicitation': New Directions in Radio Research Richard Vokes
School of Sociology and Anthropology
University of Canterbury
New ZealandEpilogue15. A World Without Anthropology Clara Mafra
Anthropology
State University of Rio de Janeiro
Department of Anthropology
University of Aberdeen2. Improvisation and the Art of Making Things StickKarin Barber
Centre of West African Studies
University of BirminghamI. Art
Intellect and the Attribution of Creative AgencySection IntroductionTim Ingold
Department of Anthropology
University of Aberdeen 3. Design
Innovation and Agency in Pattern ConstructionAmar Mall
Department of Anthropology
University College London 4. Creating or Performing Words VisuallyFuyubi Nakamura
Institute of Social and Cultural Anthropology
University of Oxford5.Creativity
Subjectivity and the Dynamic of Possessive IndividualismJames Leach
King's College
University of Cambridge II. Creative Appropriations and Institutional Contexts Section IntroductionMelissa Demian
Department of Anthropology
Emory University
and Sari Wastell
Department of Anthropology
Goldsmiths College
London6. Creating Ethnography: Differing Notions of Creativity in Anthropological KnowledgeProduction
a Maori/European ExampleElizabeth Cory-Pearce
Department of Anthropology
Goldsmiths College
London7. Just Like the Greek Polis: Creativity
Authenticity and Political Legitimacy in KabyliaJudith Scheele
Institute of Social and Cultural Anthropology
University of Oxford8. 'You Knit me in my Mother's Womb': Creativity and Creation in English BaptistUnderstandings of Assisted and Assisting ConceptionJeanette Edwards
Social Anthropology
University of ManchesterIII. Creativity and the Passage of Time: History
Tradition and the Life-CourseSection IntroductionSharon Macdonald
Department of Sociological Studies
University of Sheffield
and Eric Hirsch
Department of Human Sciences
Brunel University9. Tradition and the Individual Talent: T.S. Eliot for AnthropologistsFelicia Hughes-Freeland
School of Social Sciences
University Wales
Swansea10. Back to the Future: Temporality
Narrative and the Ageing SelfCatherine Degnen
School of Geography
Politics and Sociology
University of Newcastle11. Performing the World: The Imaginative Link between Action and History Kirsten Hastrup
Department of Anthropology
University of CopenhagenIV. The Creativity of Anthropological Scholarship Section introductionMark Harris
Department of Social Anthropology
University of St Andrews and Clara Mafra
Anthropology
State University of Rio de Janeiro12. From Documenting Culture to Experimenting with Cultural Phenomena: Using Fine ArtPedagogies with Visual Anthropology StudentsAmanda Ravetz
MIRIAD
Manchester Metropolitan University13. Creativity in Anthropology and Fiction WritingTrevor Stack
Hispanic Studies
University of Aberdeen
and Robey Callahan
St Austell
Cornwall14. 'Radio Elicitation': New Directions in Radio Research Richard Vokes
School of Sociology and Anthropology
University of Canterbury
New ZealandEpilogue15. A World Without Anthropology Clara Mafra
Anthropology
State University of Rio de Janeiro
1. Creativity and Cultural Improvisation: An Introduction Elizabeth Hallam and Tim Ingold
Department of Anthropology
University of Aberdeen2. Improvisation and the Art of Making Things StickKarin Barber
Centre of West African Studies
University of BirminghamI. Art
Intellect and the Attribution of Creative AgencySection IntroductionTim Ingold
Department of Anthropology
University of Aberdeen 3. Design
Innovation and Agency in Pattern ConstructionAmar Mall
Department of Anthropology
University College London 4. Creating or Performing Words VisuallyFuyubi Nakamura
Institute of Social and Cultural Anthropology
University of Oxford5.Creativity
Subjectivity and the Dynamic of Possessive IndividualismJames Leach
King's College
University of Cambridge II. Creative Appropriations and Institutional Contexts Section IntroductionMelissa Demian
Department of Anthropology
Emory University
and Sari Wastell
Department of Anthropology
Goldsmiths College
London6. Creating Ethnography: Differing Notions of Creativity in Anthropological KnowledgeProduction
a Maori/European ExampleElizabeth Cory-Pearce
Department of Anthropology
Goldsmiths College
London7. Just Like the Greek Polis: Creativity
Authenticity and Political Legitimacy in KabyliaJudith Scheele
Institute of Social and Cultural Anthropology
University of Oxford8. 'You Knit me in my Mother's Womb': Creativity and Creation in English BaptistUnderstandings of Assisted and Assisting ConceptionJeanette Edwards
Social Anthropology
University of ManchesterIII. Creativity and the Passage of Time: History
Tradition and the Life-CourseSection IntroductionSharon Macdonald
Department of Sociological Studies
University of Sheffield
and Eric Hirsch
Department of Human Sciences
Brunel University9. Tradition and the Individual Talent: T.S. Eliot for AnthropologistsFelicia Hughes-Freeland
School of Social Sciences
University Wales
Swansea10. Back to the Future: Temporality
Narrative and the Ageing SelfCatherine Degnen
School of Geography
Politics and Sociology
University of Newcastle11. Performing the World: The Imaginative Link between Action and History Kirsten Hastrup
Department of Anthropology
University of CopenhagenIV. The Creativity of Anthropological Scholarship Section introductionMark Harris
Department of Social Anthropology
University of St Andrews and Clara Mafra
Anthropology
State University of Rio de Janeiro12. From Documenting Culture to Experimenting with Cultural Phenomena: Using Fine ArtPedagogies with Visual Anthropology StudentsAmanda Ravetz
MIRIAD
Manchester Metropolitan University13. Creativity in Anthropology and Fiction WritingTrevor Stack
Hispanic Studies
University of Aberdeen
and Robey Callahan
St Austell
Cornwall14. 'Radio Elicitation': New Directions in Radio Research Richard Vokes
School of Sociology and Anthropology
University of Canterbury
New ZealandEpilogue15. A World Without Anthropology Clara Mafra
Anthropology
State University of Rio de Janeiro
Department of Anthropology
University of Aberdeen2. Improvisation and the Art of Making Things StickKarin Barber
Centre of West African Studies
University of BirminghamI. Art
Intellect and the Attribution of Creative AgencySection IntroductionTim Ingold
Department of Anthropology
University of Aberdeen 3. Design
Innovation and Agency in Pattern ConstructionAmar Mall
Department of Anthropology
University College London 4. Creating or Performing Words VisuallyFuyubi Nakamura
Institute of Social and Cultural Anthropology
University of Oxford5.Creativity
Subjectivity and the Dynamic of Possessive IndividualismJames Leach
King's College
University of Cambridge II. Creative Appropriations and Institutional Contexts Section IntroductionMelissa Demian
Department of Anthropology
Emory University
and Sari Wastell
Department of Anthropology
Goldsmiths College
London6. Creating Ethnography: Differing Notions of Creativity in Anthropological KnowledgeProduction
a Maori/European ExampleElizabeth Cory-Pearce
Department of Anthropology
Goldsmiths College
London7. Just Like the Greek Polis: Creativity
Authenticity and Political Legitimacy in KabyliaJudith Scheele
Institute of Social and Cultural Anthropology
University of Oxford8. 'You Knit me in my Mother's Womb': Creativity and Creation in English BaptistUnderstandings of Assisted and Assisting ConceptionJeanette Edwards
Social Anthropology
University of ManchesterIII. Creativity and the Passage of Time: History
Tradition and the Life-CourseSection IntroductionSharon Macdonald
Department of Sociological Studies
University of Sheffield
and Eric Hirsch
Department of Human Sciences
Brunel University9. Tradition and the Individual Talent: T.S. Eliot for AnthropologistsFelicia Hughes-Freeland
School of Social Sciences
University Wales
Swansea10. Back to the Future: Temporality
Narrative and the Ageing SelfCatherine Degnen
School of Geography
Politics and Sociology
University of Newcastle11. Performing the World: The Imaginative Link between Action and History Kirsten Hastrup
Department of Anthropology
University of CopenhagenIV. The Creativity of Anthropological Scholarship Section introductionMark Harris
Department of Social Anthropology
University of St Andrews and Clara Mafra
Anthropology
State University of Rio de Janeiro12. From Documenting Culture to Experimenting with Cultural Phenomena: Using Fine ArtPedagogies with Visual Anthropology StudentsAmanda Ravetz
MIRIAD
Manchester Metropolitan University13. Creativity in Anthropology and Fiction WritingTrevor Stack
Hispanic Studies
University of Aberdeen
and Robey Callahan
St Austell
Cornwall14. 'Radio Elicitation': New Directions in Radio Research Richard Vokes
School of Sociology and Anthropology
University of Canterbury
New ZealandEpilogue15. A World Without Anthropology Clara Mafra
Anthropology
State University of Rio de Janeiro