Drawing upon an array of disciplines from neuroscience to philosophy, and art to social theory, David Gauntlett here explores the ways in which researchers can embrace people's everyday creativity in order to understand social experience.
Drawing upon an array of disciplines from neuroscience to philosophy, and art to social theory, David Gauntlett here explores the ways in which researchers can embrace people's everyday creativity in order to understand social experience.
David Gauntlett is Professor of Media and Communications, University of Westminster, London. He is the author of several books on media audiences and identities, including Media, Gender and Identity (2002) and Moving Experiences (Second Edition, 2005). He produces the award-winning website on media and identities, Theory.org.uk, and the hub for creative methodologies, ArtLab.org.uk.
Inhaltsangabe
1. Introduction 2. The Self and Creativity 3. Science and What we can Say about the World 4. Social Science and Social Experience 5. Inside the Brain 6. Using Visual and Creative Methods 7. More Visual Sociologies 8. Building Identities in Metaphors 9. What a Whole Identity Model Means 10. Conclusion: Eleven Findings on Methods, Identities, and Audiences
1. Introduction 2. The Self and Creativity 3. Science and What we can Say about the World 4. Social Science and Social Experience 5. Inside the Brain 6. Using Visual and Creative Methods 7. More Visual Sociologies 8. Building Identities in Metaphors 9. What a Whole Identity Model Means 10. Conclusion: Eleven Findings on Methods, Identities, and Audiences
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