Acknowledgments ix Introduction 1 1. "Jerky Nearness": Spectatorship, Mobility, and Collision in Early Cinema 25 2. Car Wreckers and Home Lovers: The Automobile in Silent Slapstick 55 3. Doing Death Over: Industrial-Safety Films, Accidental-Motion Studies, and the Involuntary Crash Test Dummy 105 4. Disaster Time, the Kennedy Assassination, and Andy Warhol's Since (1966/2002) 137 5. Film Falls Apart: Crash, Semen, and Pop 161 6. Crash Aesthetics: Amores perros and the Dream of Cinematic Mobility 179 7. The Afterlife of Weekend: Or, The University Found on a Scrapheap 205 Notes 235 Bibliography 275 Index 289
Acknowledgments ix Introduction 1 1. "Jerky Nearness": Spectatorship, Mobility, and Collision in Early Cinema 25 2. Car Wreckers and Home Lovers: The Automobile in Silent Slapstick 55 3. Doing Death Over: Industrial-Safety Films, Accidental-Motion Studies, and the Involuntary Crash Test Dummy 105 4. Disaster Time, the Kennedy Assassination, and Andy Warhol's Since (1966/2002) 137 5. Film Falls Apart: Crash, Semen, and Pop 161 6. Crash Aesthetics: Amores perros and the Dream of Cinematic Mobility 179 7. The Afterlife of Weekend: Or, The University Found on a Scrapheap 205 Notes 235 Bibliography 275 Index 289
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