The focus of this study is court literature in early sixteenth-century England and Scotland. The author examines courtly poetry and drama in the context of a complex system of entertainment, education, self-fashioning, dissimulation, propaganda and patronage.
The focus of this study is court literature in early sixteenth-century England and Scotland. The author examines courtly poetry and drama in the context of a complex system of entertainment, education, self-fashioning, dissimulation, propaganda and patronage.
Contents: Introduction Poet, court and culture Patronage and panegyric verse The 'inclusive and exclusive' rhetorical strategy of David Lyndsay's The Dreme and The Complaynt Counsel, service, kingship and the moral reality of the court The 'honestye' of Thomas Wyatt's court critique and the unstable 'I' of his verse The murky waters of court politics and poetic propaganda Conclusion Bibliography Index.
Contents: Introduction Poet, court and culture Patronage and panegyric verse The 'inclusive and exclusive' rhetorical strategy of David Lyndsay's The Dreme and The Complaynt Counsel, service, kingship and the moral reality of the court The 'honestye' of Thomas Wyatt's court critique and the unstable 'I' of his verse The murky waters of court politics and poetic propaganda Conclusion Bibliography Index.
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