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From gleaning to toothaches, across anxieties and economic precarity, Womer writes with gorgeous attention to language and to sound, creating a book quivering with insights. I loved this book.-TaraShea Nesbit, author of Beheld Brenna Womer's cost of living is meditative, subtle, and moving; it bursts with surprising and dynamic language that circles familial histories, complex intimacies, class, memory, and origin. Deeply intimate and carefully observed, Womer's writing reveals the expansive possibilities of both poetry and prose.-K-Ming Chang, author of Bestiary Budgeting for Sensodyne while…mehr

Produktbeschreibung
From gleaning to toothaches, across anxieties and economic precarity, Womer writes with gorgeous attention to language and to sound, creating a book quivering with insights. I loved this book.-TaraShea Nesbit, author of Beheld Brenna Womer's cost of living is meditative, subtle, and moving; it bursts with surprising and dynamic language that circles familial histories, complex intimacies, class, memory, and origin. Deeply intimate and carefully observed, Womer's writing reveals the expansive possibilities of both poetry and prose.-K-Ming Chang, author of Bestiary Budgeting for Sensodyne while finding "no place, yet, to sell a memory," the narrator in Brenna Womer's hybrid collection, cost of living, knows both the heavy expense of connection and the ache of paying for one's place in the world. The weight of expectations press into the grit of love, leaving behind indelible scratches. Womer's work will leave you similarly marked.-Kristine Langley Mahler, author of Curing Season
Autorenporträt
Brenna Womer (she/they) is a queer, childfree, Latine prose writer, poet, artist, and professor of creative writing, literature, and publishing. She is the author of Honeypot (Spuyten Duyvil, 2019) and two chapbooks, cost of living (Finishing Line Press, 2022) and Atypical Cells of Undetermined Significance (C&R Press, 2018). Her creative writing, craft, reviews, and interviews have been published in North American Review, Redivider, Crazyhorse, Indiana Review, The Pinch, DIAGRAM, and elsewhere. Brenna is a contributing interviewer for SmokeLong Quarterly and has held editorial positions at Moon City Review & Press, Passages North, Story Magazine, and Shenandoah, where, last year, she served as interim Editor-in-Chief and is now Creative Nonfiction Editor. Brenna holds an MFA in Creative Writing from Northern Michigan University, where she was a recipient of the King-Chávez-Parks Future Faculty Fellowship and two Excellence in Education research grants for her creative work. Her fiction, creative nonfiction, and poetry have been nominated for Pushcart Prizes, Best of the Net, Best Small Fictions, and the Best American anthologies, with her essay "Wüsthof Silverpoint II 10-Piece Set" being named a Notable in Best American Essays 2017, edited by Leslie Jamison. Most recently, an essay about her mixed heritage, "Thick Like Me," won NELLE's Three Sisters Prize for Creative Nonfiction.Raised on military bases across the US and overseas, Brenna often explores themes of home and belonging in her creative work, which is frequently experimental.