This book brings 'voices from the street' into the debate over the legal and non-legal protection of street art and graffiti. Drawing on ethnographic research and fieldwork, the book highlights insider perspectives and examines how copyright laws are perceived within street art and graffiti subcultures.
This book brings 'voices from the street' into the debate over the legal and non-legal protection of street art and graffiti. Drawing on ethnographic research and fieldwork, the book highlights insider perspectives and examines how copyright laws are perceived within street art and graffiti subcultures.
Enrico Bonadio is Reader at City, University of London. He teaches, lectures and advises in the field of intellectual property (IP) law. He is editor of The Cambridge Handbook of Copyright in Street Art and Graffiti (2019) and Non-Conventional Copyright ¿ Do New and Atypical Works Deserve Protection? (2018). Enrico is also a street and graffiti art aficionado.
Inhaltsangabe
1. Introduction 2. Creativity and originality of graffiti lettering 3. Copyright within street art and graffiti circles 4. Feelings about attribution and preservation 5. The subcultures between an anti-establishment ethos and the mainstream 6. Sharing, biting and social norms.
1. Introduction 2. Creativity and originality of graffiti lettering 3. Copyright within street art and graffiti circles 4. Feelings about attribution and preservation 5. The subcultures between an anti-establishment ethos and the mainstream 6. Sharing, biting and social norms.
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