COPYRIGHT IN THE DEMOCRATIC REPUBLIC OF CONGO:
The fate of economic rights after the death of the author of the work of the mind
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The publication of a book on copyright seems to raise more questions about its content than it does about the substance of the subject! The fate of the economic rights after the death of the author of the work is evocative of a sort of account that this character that fans admired so much, must present after his death. Was he as rich as the success of his works? The paradigms discussed and the analyses provided will allow the decision-makers and actors themselves to reframe things, which, let's not forget, have been poorly done up to now.The author did not want to give a list of what the heirs...
The publication of a book on copyright seems to raise more questions about its content than it does about the substance of the subject! The fate of the economic rights after the death of the author of the work is evocative of a sort of account that this character that fans admired so much, must present after his death. Was he as rich as the success of his works? The paradigms discussed and the analyses provided will allow the decision-makers and actors themselves to reframe things, which, let's not forget, have been poorly done up to now.The author did not want to give a list of what the heirs touch, in reality simply because they are insignificant. The instance on the rules will allow, perhaps a jump start, to do things right. The work evokes with a verve incisive for the animators of SOCODA to change what there is to change. But beyond them, so that the public authorities create appropriate conditions for a copyright consumer market in the DRC.
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