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In this pioneering study, Elizabeth Helsinger reframes lyric poetry as a social form. Taking nineteenth-century poetry as her focus, she explores varied historical and philosophical contexts to address the question of when and why poets adopt conversational forms, and how doing so might ultimately expand readers' ethical and political horizons.

Produktbeschreibung
In this pioneering study, Elizabeth Helsinger reframes lyric poetry as a social form. Taking nineteenth-century poetry as her focus, she explores varied historical and philosophical contexts to address the question of when and why poets adopt conversational forms, and how doing so might ultimately expand readers' ethical and political horizons.
Autorenporträt
Elizabeth Helsinger is the John Matthews Manly Distinguished Service Professor Emerita in the Departments of English, Art History, and Visual Studies. She has twice chaired the Department of English and once chaired the Department of Visual Studies. She has held fellowships from the American Council of Learned Societies, the Guggenheim Foundation, and the National Humanities Center. In her long and multidisciplinary career she has published books including Poetry and the Thought of Song (2015), Poetry and the Pre-Raphaelite Arts (2008), Rural Scenes and National Representation (1997), and Ruskin and the Art of the Beholder (1982). She is co-author of The Woman Question: Britain and America, 1837-1883 (1983, 1987) and co-editor of the journal Critical Inquiry, and has served on the boards of Victorian Studies, Nineteenth-Century Literature, and Nineteenth-Century Prose.