Convergence Media History explores the ways that digital convergence has radically changed the field of media history. Writing media history is no longer a matter of charting the historical development of an individual medium such as film or television. Instead, now that various media from blockbuster films to everyday computer use intersect regularly via convergence, scholars must find new ways to write media history across multiple media formats. Each essay in this collection addresses a single medium¿including film, television, advertising, sound recording, new media, and more¿and connects…mehr
Convergence Media History explores the ways that digital convergence has radically changed the field of media history. Writing media history is no longer a matter of charting the historical development of an individual medium such as film or television. Instead, now that various media from blockbuster films to everyday computer use intersect regularly via convergence, scholars must find new ways to write media history across multiple media formats. Each essay in this collection addresses a single medium¿including film, television, advertising, sound recording, new media, and more¿and connects that specific medium¿s history to larger issues for the field in writing multi-media or convergent histories.
Janet Staiger is William P. Hobby Centennial Professor of Communication in the Department of Radio-Television-Film at the University of Texas at Austin. The author of many books, her latest include Media Reception Studies, Blockbuster TV: Must-See Sitcoms in the Network Era, and Perverse Spectators: The Practices of Film Reception. Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of Topographies of Class: Urban Architecture and Mass Utopia in Weimar Berlin, German National Cinema, and Popular Cinema of the Third Reich, among many other books.
Inhaltsangabe
Part One: New Methods 1. From Accented Cinema to Multiplex Cinema Hamid Naficy 2. Franchise Histories: Marvel X-Men and the Negotiated Process of Expansion Derek Johnson 3. When Pierre Bourdieu Meets the Political Economists: RKO and the Leftists-in-Hollywood Problematic Chris Cagle 4. Touch Taste Breath: Synaesthesia Sense Memory and the Selling of Cigarettes on Television 1948-1971 Marsha F. Cassidy 5. Rewiring Media History: Intermedial Borders Mark Williams Part Two: New Subjects 6. Provincial Modernity? Film Exhibition at the 1907 Jamestown Exposition Kathryn H. Fuller-Seeley 7. Exhibition in Mexico during the Early 1920s: Nationalist Discourse and Transnational Capital Laura Isabel Serna 8. The Recording Industry's Role in Media History Kyle S. Barnett 9. Forging a Citizen Audience: Broadcasting from the 1920s through the 1940s Richard Butsch 10. Bobby Jones Warner Bros. and the Short Instructional Film Harper Cossar Part Three: New Approaches 11. Bonding with the Crowd: Silent Film Stars Liveness and the Public Sphere Sue Collins 12. The Comfort of Carnage: Neorealism and America's World Karl Schoonover 13. "Talk about Bad Taste": Camp Cult and the Reception of What's New Pussycat? Ken Feil 14. Selling Out Buying In: Brakhage Warhol and BAVC Understanding Dan Leopard 15. Whatever Happened to the Movie-of-the-Week? [the shocking true story of how made-for-TV movies disappeared from broadcast networks] Alisa Perren Part Four: Research Issues 16. Doing Soap Opera History: Challenges and Triumphs Elana Levine 17. Stalking the Wild Evidence: Capturing Media History through Elusive and Ephemeral Archives Pamela Wilson 18. Historicizing Web Design: Software Style and the Look of the Web Megan Sapnar Ankerson Bibliography on Media Historiography
Part One: New Methods 1. From Accented Cinema to Multiplex Cinema Hamid Naficy 2. Franchise Histories: Marvel X-Men and the Negotiated Process of Expansion Derek Johnson 3. When Pierre Bourdieu Meets the Political Economists: RKO and the Leftists-in-Hollywood Problematic Chris Cagle 4. Touch Taste Breath: Synaesthesia Sense Memory and the Selling of Cigarettes on Television 1948-1971 Marsha F. Cassidy 5. Rewiring Media History: Intermedial Borders Mark Williams Part Two: New Subjects 6. Provincial Modernity? Film Exhibition at the 1907 Jamestown Exposition Kathryn H. Fuller-Seeley 7. Exhibition in Mexico during the Early 1920s: Nationalist Discourse and Transnational Capital Laura Isabel Serna 8. The Recording Industry's Role in Media History Kyle S. Barnett 9. Forging a Citizen Audience: Broadcasting from the 1920s through the 1940s Richard Butsch 10. Bobby Jones Warner Bros. and the Short Instructional Film Harper Cossar Part Three: New Approaches 11. Bonding with the Crowd: Silent Film Stars Liveness and the Public Sphere Sue Collins 12. The Comfort of Carnage: Neorealism and America's World Karl Schoonover 13. "Talk about Bad Taste": Camp Cult and the Reception of What's New Pussycat? Ken Feil 14. Selling Out Buying In: Brakhage Warhol and BAVC Understanding Dan Leopard 15. Whatever Happened to the Movie-of-the-Week? [the shocking true story of how made-for-TV movies disappeared from broadcast networks] Alisa Perren Part Four: Research Issues 16. Doing Soap Opera History: Challenges and Triumphs Elana Levine 17. Stalking the Wild Evidence: Capturing Media History through Elusive and Ephemeral Archives Pamela Wilson 18. Historicizing Web Design: Software Style and the Look of the Web Megan Sapnar Ankerson Bibliography on Media Historiography
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