Saving Fiction invites readers to consider the advantages of describing fictions as governed by a set of social contracts, teaching us how to think about the stuff of daily life, animate and inanimate, as abstractions.
Saving Fiction invites readers to consider the advantages of describing fictions as governed by a set of social contracts, teaching us how to think about the stuff of daily life, animate and inanimate, as abstractions.
Ellen Spolsky is Professor of English Emeritus at Bar-Ilan University in Israel. Her previous books include Word vs. Image: Cognitive Hunger in Shakespeare's England (Palgrave Macmillan, 2007) and Gaps in Nature: Literary Interpretation and the Modular Mind (SUNY Press, 1993).
Inhaltsangabe
* Table of Contents * Preface: An Invitation * Chapter 1: Embodiment and its Entailments * Chapter 2: Lyrics and their Frames * Chapter 3: Genre Change and Narrative Recovery (Maybe) * Chapter 4: Intelligence on a Communal Scale: An Enriched Theory of Distributed Cognition * Chapter 5: Distributed Misunderstanding * Chapter 6: Affording Justice through sinderesis: an early modern embodiment theory * Chapter 7: Balance and Imbalance * Chapter 8: The Skepticism of Grotesques: 'Between the Known and the Unknown' * Chapter 9: Detach and Reuse * Notes * References * Index
* Table of Contents * Preface: An Invitation * Chapter 1: Embodiment and its Entailments * Chapter 2: Lyrics and their Frames * Chapter 3: Genre Change and Narrative Recovery (Maybe) * Chapter 4: Intelligence on a Communal Scale: An Enriched Theory of Distributed Cognition * Chapter 5: Distributed Misunderstanding * Chapter 6: Affording Justice through sinderesis: an early modern embodiment theory * Chapter 7: Balance and Imbalance * Chapter 8: The Skepticism of Grotesques: 'Between the Known and the Unknown' * Chapter 9: Detach and Reuse * Notes * References * Index
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