Through comparative empirical research, this book explores various types of music tourism in different locations across Europe and in relation to several genres of music, in order to develop a theoretical account of the complex ways in which music, place and tourism are connected in practice.
Through comparative empirical research, this book explores various types of music tourism in different locations across Europe and in relation to several genres of music, in order to develop a theoretical account of the complex ways in which music, place and tourism are connected in practice.
Leonieke Bolderman is Assistant Professor Cultural Geography and Tourism Geography and Planning at the University of Groningen, the Netherlands. Her research concerns the role and meaning of music heritage and tourism in urban and regional development, on which she has published in various journals and edited volumes.
Inhaltsangabe
1.Music, Place and Tourism 2.Musical Topophilia 3.Sharing Songs On Hirakata Square. On Music Listening And Imagining Place 4.Have You Found What You're Looking For? Music Tourists, Experience and Identity 5.There Is Just Such A Mental Buzz! Music Workshops, Place and Belonging 6.The Value of Music Tourism.
1.Music, Place and Tourism 2.Musical Topophilia 3.Sharing Songs On Hirakata Square. On Music Listening And Imagining Place 4.Have You Found What You're Looking For? Music Tourists, Experience and Identity 5.There Is Just Such A Mental Buzz! Music Workshops, Place and Belonging 6.The Value of Music Tourism.
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