Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the twenty-first century.
Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the twenty-first century.
David Gram is an Assistant Professor of Theatre at Oakland University in Rochester Hills, Michigan, USA. He has been a theatre and opera director, actor, dramaturg, and playwright for over 25 years. Other research interests include contemporary musical theatre, Elizabethan and Jacobean drama, and new play development.
Inhaltsangabe
Foreword by Ken Ludwig Introduction Entrances: The Foundations of Contemporary Farce 1. Domestic Farce 2. Social Farce 3. Political Farce 4. Cultural Farce (or 'Farce Remixed') 5. Backstage Farce Exits: Farce and the Future
Foreword by Ken Ludwig Introduction Entrances: The Foundations of Contemporary Farce 1. Domestic Farce 2. Social Farce 3. Political Farce 4. Cultural Farce (or 'Farce Remixed') 5. Backstage Farce Exits: Farce and the Future
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