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This Edinburgh guide provides an introduction to the major novelists and the main themes in narrative fiction over the last 35 years. It offers a critical discussion of important debates in contemporary fiction engaging with concepts such as postmodernism; the impact of feminism and gender in literary studies; the rise of postcolonial literary theory; and the place of fiction within broader debates in contemporary culture. It provides thought provoking analysis of a range of British writers including Martin Amis, A.S. Byatt, Angela Carter, Ian McEwan, Hanif Kureishi, Salman Rushdie, Zadie Smith and Jeanette Winterson. The book grounds the discussion of selected novels in the historical and theoretical contexts of the period. It opens with a Chronology followed by a comprehensive Introduction that provides a historical context to the study of contemporary British fiction by detailing significant social, political and cultural events of the period 1975-2005. This is followed by five chapters organized around the core themes: (1) Narrative Forms, (2) Contemporary Ethnicities, (3) Gender and Sexuality, (4) History, Memory and Writing, and (5) Narratives of Cultural Space. A Conclusion, Student Resources and Glossary close the book. Key Features *Introduces the major themes and trends in British fiction over the last 35 years *Analyses a range of writers and texts including Brick Lane by Monica Ali, London Fields by Martin Amis; The Passion of New Eve by Angela Carter; Fever Pitch by Nick Hornby; Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by Iain Sinclair, White Teeth by Zadie Smith *Presents a variety of critical perspectives essential for studying contemporary British fiction *Provides essential resources for further reading and research
This series provides accessible yet provocative introductions to a wide range of literatures. The volumes will initiate and deepen the reader's understanding of key literary movements, periods and genres, and consider debates that inform the past, present and future of literary study. Resources such as glossaries of key terms and details of archives and internet sites are also provided, making each volume a comprehensive critical guide. This critical guide introduces major novelists and themes in British fiction from 1975 to 2005. It engages with concepts such as postmodernism, feminism, gender and the postcolonial, and examines the place of fiction within broader debates in contemporary culture. A comprehensive Introduction provides a historical context for the study of contemporary British fiction by detailing significant social, political and cultural events. This is followed by five chapters organised around the core themes: Narrative Forms; Contemporary Ethnicities; Gender and Sexuality; History, Memory and Writing; and Narratives of Cultural Space. Key Features o Introduces the major themes and trends in British fiction over the last 30 years o Analyses a range of writers and texts including Brick Lane by Monica Ali, London Fields by Martin Amis, The Passion of New Eve by Angela Carter, Fever Pitch by Nick Hornby, The Buddha of Suburbia by Hanif Kureishi, Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by Iain Sinclair, White Teeth by Zadie Smith, and Oranges Are Not the Only Fruit by Jeanette Winterson o Presents a variety of critical and cultural perspectives essential for studying contemporary British fiction o Provides essential resources for further reading and research Nick Bentley is Lecturer in Twentieth-Century Literature at Keele University. He is the author of Radical Fictions: The British Novel in the 1950s (2007) and editor of British Fiction of the 1990s (2005).
This series provides accessible yet provocative introductions to a wide range of literatures. The volumes will initiate and deepen the reader's understanding of key literary movements, periods and genres, and consider debates that inform the past, present and future of literary study. Resources such as glossaries of key terms and details of archives and internet sites are also provided, making each volume a comprehensive critical guide. This critical guide introduces major novelists and themes in British fiction from 1975 to 2005. It engages with concepts such as postmodernism, feminism, gender and the postcolonial, and examines the place of fiction within broader debates in contemporary culture. A comprehensive Introduction provides a historical context for the study of contemporary British fiction by detailing significant social, political and cultural events. This is followed by five chapters organised around the core themes: Narrative Forms; Contemporary Ethnicities; Gender and Sexuality; History, Memory and Writing; and Narratives of Cultural Space. Key Features o Introduces the major themes and trends in British fiction over the last 30 years o Analyses a range of writers and texts including Brick Lane by Monica Ali, London Fields by Martin Amis, The Passion of New Eve by Angela Carter, Fever Pitch by Nick Hornby, The Buddha of Suburbia by Hanif Kureishi, Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by Iain Sinclair, White Teeth by Zadie Smith, and Oranges Are Not the Only Fruit by Jeanette Winterson o Presents a variety of critical and cultural perspectives essential for studying contemporary British fiction o Provides essential resources for further reading and research Nick Bentley is Lecturer in Twentieth-Century Literature at Keele University. He is the author of Radical Fictions: The British Novel in the 1950s (2007) and editor of British Fiction of the 1990s (2005).